Books On Books Collection – Dave Morice

A Visit from St. Alphabet (2005)

A Visit from St. Alphabet (2005)
Dave Morice
Casebound, H130 x 170 mm. 24 pages unnumbered. Acquired from The Book Depository, 27 August 2021.
Photos of the work: Books On Books Collection. Displayed with permission of the publisher Coffee House Press.

In the Books On Books Collection, Dave Morice’s spoof of Clement Moore’s 1822 A Visit from St Nicholas (better known as ‘Twas the night before Christmas) serves several purposes.

First of all, in a collection that has alphabet books and alphabet-related artists’ books as one of its focal points, work by the artist also known as Dr. Alphabet must be included.

Second, Morice is like the definition of book art: he shifts about. He has been the perpetrator of the Joyce Holland literary hoax. Minimalist poet and performance artist Joyce Holland became the publisher of the Matchbook series — one-word poems on one-inch squares of paper bound in matchbook covers — and became famous enough to appear on the Tom Snyder Tomorrow show (Morice and his girlfriend P.J Casteel stood in). With his poetry performance pieces written on scrolls that were stretched the length of a football field and created during half-time, he rivaled Christo and Jean Claude. As publisher of 17 issues of Poetry Comics, he could be said to be the inventor of the comic artist’s book.

Third, Morice’s alphabet book (artist’s book?) demonstrates by letter, wordplay, narrative and image the nature of the alphabet and its elemental inspiration for artists of the book.

Fourth, Morice’s book first appeared in 1980 as a limited letterpress sewn pamphlet published by Allan and Cinda Kornblum’s Toothpaste Press. In the late 1960s, they had studied typography and printing under Harry Duncan at the University of Iowa, then set up their publishing house in 1970. Poetry dominated the list, with output from Robert Bly, Robert Creeley, Anselm Hollo, Antonio Machado (translated by Bly), Alice Notley, Carl Rakowski and Anne Waldman. This edition comes from Coffee House Press, founded in 1984 as the nonprofit successor to Toothpaste Press. Although no longer a product of letterpress printing but in a nod toward its predecessor, the book boasts case binding with red cloth over board and dark green textured pastedowns and endleaves (doublures). And this at a time when the doom of the printed book was being regularly forecast. This hints, at least, at the proposition celebrated by the collection that book art forecasts the history of the book.

Fifth and finally, as of publication of this entry, there are only 140 shopping days for book art until Christmas.

Matchbook Poems (2020)

Matchbook Poems (2020)
David Morice
Perfect bound paperback. H203 x W127 mm. 120 pages. Acquired 5 August 2022.
Photos: Books On Books Collection.

An anthology published by Richard Kostelanetz’s Archae Editions, Matchbook Poems may have become a rare book due to a contretemps with Amazon. So the corporate on-demand publishing machine undermines an effort to celebrate one of many quirky non-traditionalist efforts of mail art and book art? On demand but rare. It is an irony at which the comic mind of Dr. Alphabet is more likely bemused than outraged.

A set of the original issues of the one-word poetry magazine reside in the University of Iowa’s special collections, and individual copies are held at Harvard and Yale. Single issues become available from time to time. It’s archaelogically satisfying to think those originals and this copy of Matchbook Poems will outlast Amazon.

Images from Between the Covers and Artists’ Books and Multiples

Further Reading

Abecedaries I (in progress)“. Books On Books Collection.

Kirch, Claire. 23 November 2014. “Coffee House Founding Publisher Allan Kornblum Dies“. Publisher’s Weekly.

Morice, Dave. 1982. Poetry comics!: a cartooniverse of poems. New York: Simon and Schuster.

Morice, Dave. 1995. The adventures of Dr. Alphabet: 104 unusual ways to write poetry in the classroom and the community. New York: Teachers & Writers Collaborative.

Peterson, Mary. 1982. “Toothpaste Press“. The North American Review267(4), 70–72.

Books On Books Collection – Gaylord Schanilec

A Little Book of Birds (2017)

A Little Book of Birds (2017)
Book of 48 pages (uncut), 9 engravings by Gaylord Schanilec and a wood engraving by Thomas Bewick, all printed from the original blocks.
Signed by Schanilec, with a poem by him hand-set in Bodoni metal type.
Hand-sewn to O’Malley Crackling doublures, pasted to Degener Black from Cave Papers.
H213 x W146 mm
Edition of 100. Acquired from the artist, 7 September 2019.

”As it turned out my mid-life vessel the “Hungry Mind” (Lac Des Pleurs, 2015) didn’t get me to the other side, and A Little Book of Birds led to yet more water. The idea of birds captive within unopened pages was originally intended as a challenge for book collectors—to open the unopened pages—or not. As years passed the birds slowly emerged and their captivity began to mean something else. I thought this book might free the birds. It did not. —GS” from slip insert.

Bokeh (2020)

Bokeh (2020)
Gaylord Schanilec
Slipcase, casebound hardback with pastedown prints on covers and spine. H210 x W140 mm. 68 pages. Eight multiple color wood engravings with poems handset in Polipholis, Bembo and Blado types. Bound at Booklab 2 by Marc Hammond, Keri Schroeder and Craig Jensen in two editions (a standard edition of 94 numbered copies and a deluxe edition of 26 lettered), of which this is #37. Purchased from artist, 15 May 2020..
Photos: Books On Books Collection.

Schanilec’s poetry is reminiscent of James Wright’s, who like Robert Bly was also influenced by Federico Garcia Lorca, quoted by Schanilec in this book. Unlike all of them, though, Schanilec is a poet of the page, printing press and book. Notice how he draws attention to two lines with a lighter ink, centers them across the double-page spread placed in a folio to be folded and sewn at just that point. The lines and their placement enact the reference to bridges from the poetry above and to the left, and they make the two poems above enact their reference to the tower and canyon wall. Beneath the images and noise of the tower and canyon walls, the two lines draw our eyes down to the flowers the artist/poet is photographing for etching later. That is “unusual”, to say the least, and “beautiful” does not to say the most it deserves.

The title “Bokeh” refers to the aesthetic blurring in photography produced in the out-of-focus parts. Based on photos taken by Schanilec with a 100 mm f/2.8 macro lens, the engravings in this book were produced with a multi-line tool previously used at the Sander Wood Engraving Company of Chicago early in the 20th century. The tool cuts ten very fine lines at once, which could be used to capture the “bokeh” for this bouquet of flowers.

The Forgotten Dialect of the Heart (2018)

The Forgotten Dialect of the Heart (2018)
Gaylord Schanilec (engraving) Jack Gilbert (text)
Artist’s booklet. H320 x W235 mm. 2 folios, 4 pages. Acquired from Gaylord Schanilec, 2018.
Photos: Books On Books Collection.

Further Reading & Listening

Arey, Richard “Fred”,Schanilec, Gaylord. 1998. “Interview with Richard “Fred” Arey, Gaylord Schanilec, Part 1, Minneapolis, Minnesota.” Minnesota Historical Society. Accessed September 12, 2019.

Gilbert, Jack. “The Forgotten Dialect of the Heart“. Read by Tom O’Bedlam. Accessed 12 November 2024.

Hoinski, Michael.  4 February 2015. “Grain by Wood Grain, a Movable Feast”, New York Times. Accessed 12 July 2018.

Schanilec, Gaylord. 28 September 2012. “The Art of Color Wood Engraving”. Talk to the Grolier Club.