Books On Books Collection – Helen M. Brunner

Primer: Ritual Elements (Book One) (1982)

An artistic cover of a book titled 'Primer: Ritual Elements' by Helen M. Barger, featuring ancient script designs and abstract shapes.

Primer: Ritual Elements (Book One) (1982)
Helen M. Brunner
Softcover, pamphlet-stitched. H239 x W155 mm. 22 pages. Binding adapted from a design by Barbara Press, developed under the instruction of Hedi Kyle. Edition of 300. Acquired from JP Antiquarian Books, 14 February 2024.
Photos: Books On Books Collection.

Primer is an unusually made booklet. Stitched with black cotton thread over three signatures, its two outer signatures are of white wove Curtis rag paper, the inner signature is of parchment or a translucent paper, and four 5-panel thumbnail accordions in translucent paper are glued to the beginning of the last outer signature. More unusual is that the booklet’s edges appear burnt into unevenness, yet there is no odor of ash. The edges of the sewing holes also appear burnt, one page has a scorch mark in its center, and even the edges of the collaged items appear to have been burnt before being photographed. The breadth of collaged items — from cave markings to cuneiform to Rosetta Stone to film strips or slides — is not unusual given the title; you would expect a primer on ritual elements to address a prehistoric to historic range of petroglyphs, pictographs, symbols, letters, photographs, etc. But most unusual — and perhaps the point of the work — is that the legible text undermines the aim suggested by the title. The script on the back cover makes the subversion plainest.

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Books On Books Collection – Claude Lothier

Quant au Livre (2011)

A stack of colorful paper sheets in assorted shades, neatly arranged within a green folder.

Quant au Livre (2011)
Claude Lothier
Slipcase around five cased and glued softcover booklets. Slipcase: H110 x W158 x D25 mm. AEIO TTNTN: H108 x W157 mm. Niv ula: H157 x W108 mm. C’est difficile: H108 x W157 mm. TUBED/NIF: H108 x W157 mm. U: H108 x W157 mm. [28] pages each except for TUBED/NIF, which has [20], and U, which has [24]. Edition of 200. Acquired from Biblio-Net, 16 October 2025.
Photos: Books On Books Collection

In English, the phrase quant au livre would be “as for the book” or “concerning the book”. What is lost in translation is the phrase’s association with Stéphane Mallarmé’s volume of essays Divagations (1897) in which one section was entitled Quant au Livre. It included the essay “Le Livre, Instrument Spirituel”, which delivered the proclamation “tout, au monde, existe pour aboutir à un livre” (“everything in the world exists to end up in a book”). It was the proclamation scholars seized on to give artists’ books their metaphysical underpinning. If it swallows up everything in the world, What is a book? Many book artists have simply bypassed the discussion and jumped in with works of art that challenge how we read, how we make sense of a book, how we make sense of what a book is. Claude Lothier is one of those book artists.

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Books On Books Collection – Jaro Springer

Gotische Alphabete (1897)

A brown book cover titled 'Gothische Alphabete' in gold lettering.

Gotische Alphabete (1897)
Jaro Springer
Casebound hardcover in leather with cover title and cover illustration in gold and blind embossing. H415 x W300 mm. 1 sheet, 8 pages, 3 sheets, 39 plates. Acquired from Antiquariat Braun, 14 November 2024.
Photos: Books On Books Collection.

Every history of letters or script begins with a scrawl. Someone somewhere at some time made a mark tied to an object tied to a sound — A is for Ox — and some others in the same place and time accepted that this handmade mark or shape could conjure up that object in the mind. Perhaps it seemed magical, perhaps it seemed mundane as they imagined that somehow meaning and reality inhered in that shape or sound, the connection just waiting to be discovered.

Regardless, the shapes of characters and their relationship to the sound or meaning they represent is arbitrary, a prehistorical and historical function of social convention, a collective making by individuals. Jaro Springer’s art historical specimen book reminds us of the fantastical visual elaborations to which 15th-16th century artists’ hands would put those “shapes for sounds” we call the alphabet.

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Books On Books Collection – Susan Johanknecht

Fugal (2025)

A close-up of a musical score with handwritten notes and lines, featuring the title 'fugal' and the name 'Susan Johanknecht' printed on the right.

Fugal (2025)
Susan Johanknecht , Claire Van Vliet, and Andrew Miller-Brown
Vertical double-sided accordion book bound in “Landscape with Cows In It” structure designed by Claire Van Vliet, cover in calendered Barcham Green India Office, interior in handmade Japanese Kozo Natural fixed to Monadnock Dulcet; slipcase of handmade paper. Slipcase: H123 x W248 x D22 mm. Book: H120 x W240 x D18 mm. [6] double-sided panels. Edition of 100, of which this is #8. Acquired from Susan Johanknecht, 26 September 2025.
Photos: Books On Books Collection

In the hands of multiple readers, this collaboration among Susan Johanknecht’s Gefn Press, Claire Van Vliet’s Janus Press, and Andrew Miller-Brown’s Plowboy Press becomes the “book as performance” and “book as musical score”. Fugal is an artwork that works best with several simultaneous readers/voices/viewers.

A fugue generally has a “subject” (or main theme), an “exposition” in which voices or instruments each play out the subject, then an “episode” (or connecting passages) that builds on the previous material, then further alternating “entries” in which the subject is heard in related keys until a final entry that returns to the opening key. The subject of Fugal is the generative process of vocal changes due to aging. The phrases of the poem have been drawn from an unidentified speech and language textbook.

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Books On Books Collection – Laure Catugier

A Never-Ending Stone (2025)

A wrapped book titled 'A Never-Ending Stone' by Laure Catognet, published in 2025, displayed on a black background.

A Never-Ending Stone (2025)
Laure Catugier
Open spine, dos-à-dos with grey bookbinding board. 210 x H260 x 210 mm. 104 pages. Edition of 250. Acquired from einBuch.haus, 3 December 2025.
Photos: Books On Books Collection.

A Never-Ending Stone is Laure Catugier’s first monographic catalog. Her skill with collage, alignment, shadows, materials, and the book format transform it into an artist’s book very much driven by her fascination with architecture and especially the architectural theories and practice of Oskar and Zofia Hansen. The Hansens eclectically embraced “human-scale” architecture, “environment art”, and what they called the “open form” structure, using space and time as its key elements. The Hansens also proposed that the architect should not be the all-knowing expert but should partner with clients as co-authors of their space, respecting how their interior and outside activities and relations with one another defined them and their space. Though somewhat a forerunner to User-Centered Design, Open Form radically aimed at structures that would evolve with interaction with the user and, as they unfolded, also align with nature.

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Bookmarking Book Art – John Eric Broaddus

John Eric Broaddus (1943 1990) was perhaps one of the most inventive and creative artists to approach the book form. He was a prominent figure in the New York City art scene in the 1970s and 1980s, creating books before the book form even had a suggestion of acceptance in the art world. He also created one-of-a-kind costumes that he wore out on the streets of New York and in iconic places like Studio 54. He was vibrant, outlandish, and did much to contribute to the world of artistic interplay in New York City of that time. His inspired life was cut short by AIDS in 1990. but his legacy lives on in the work he left behind, a muse in itself for book artists even twenty years later.” Visual AIDS

Since first seeing references to and images of John Broaddus’ artist’s books in 2012, I have watched for opportunities to add his work to the Books On Books Collection. So many of his artist’s books were unique works and already in institutional collections or private hands, it would be a long watch. In late 2025, this appeared: “Achingly scarce work from a major figure in the early book arts movement. Minimal shelf/edge wear, else tight, bright, and unmarred. Shape book (human hand), grey painted boards, black ink lettering, cut paper forms.”

Handbook (1980)

Handbook (1980)
John Eric Broaddus
Hand-shaped boards over hand-shaped painted and cut pages, nailed tape hinge. Variable: H123 x W205 mm. [10] pages. Limited edition, unknown quantity. Acquired from Lux Mentis, 3 December 2025.
Photos: Books On Books Collection.

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Books On Books Collection – Anne-Catherine Fallen

The Lively Dance (1983)

A vertical view of a grey booklet titled 'THE LIVELY DANCE' secured with a thin bamboo stick.

The Lively Dance (1983)
Anne-Catherine Fallen
Handbound book, sewn; endflaps secured at fore edge with bamboo twig to create wedge-shaped book. Laid flat, H223 x W157 mm; wedge fore edge, W75 mm. [18] pages. Edition of 200. Acquired from Stand 132, Zurich. 18 January 2026.
Photos: Books On Books Collection. Displayed with the artists permission.

The Lively Dance is an elaborate and simple artist’s book. It consists of an eleven-line poem arranged across ten of eighteen pages displaying a stand of bamboo. Four pleated sheets of translucent paper, also displaying the stand of bamboo, overlap and bind those ten pages at the fore edge. Here is the book’s opening double-page spread with the translucent overlay first in place and then pulled back to reveal the poem’s invitation: “Come join the solemn dance”.

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Books On Books Collection – Tony Broad

Parallel Orders of Architecture (2024)

An architectural diagram illustrating classical column orders, featuring detailed engravings and a title label reading 'PARALLEL OF ORDERS OF ARCHITECTURE'.

Parallel Orders of Architecture (2024)
Tony Broad
Box with illustrated paper over boards with title board pastedown on top; enclosing three volumes. First volume: double-sided accordion with single- and triple panel inserts. Second volume: pop-up between illustrated paper over boards with magnet closure. Third volume: pop-up within French-fold box covered with illustrated paper over boards with magnet closure. Box: H137 x W413 x D45 mm. First volume: H130 x W110 x D30 mm. Second volume: H130 x W120 mm. Third volume: H130 x W120 x D38 mm. First volume: 60 panels. Second volume: spiral pop-up. Third volume: 4-layer pop-up. Unique. Acquired from the artist, 23 July 2025.
Photos: Books On Books Collection.

Tony Broad’s Parallel Orders of Architecture (2024) consists of three differently structured volumes enclosed in a handmade illustrated box. The first is a double-sided accordion with single- and triple-panel inserts on both sides. The second is a single-panel pop-up book. The third is a variant on the tunnel book. With the raised outlay on its cover and the platformed interior, the box offers yet another order of structure that runs in parallel with the architectural orders from which Broad draws his inspiration.

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Books On Books Collection – Sarah Maker

Within Every Room There is an Echo of the First (2018)

Within Every Room There is an Echo of the First (2018)
Sarah Maker
Diagonally halved box, painted-paper over millboard, paste paper. H65 x W65 x D65 (closed) mm, W730 (extended diagonally) mm. [45] panels Unique. Acquired from Ink and Awl, Seattle, US, 10 December 2025.
Photos: Books On Books Collection. Displayed with permission of the artist.

This small sculptural artist’s book that enacts its title is an engineered accordion with architectural pencil drawings on paste paper. Every aspect is remarkable. The millboard “cover” is a diagonally halved cube that forms the “corner” of the room from which its echoes will unfold. The accordion spine consists of folded tabs into which the pages are pasted. The pages have been shaped so that as the book is opened (the top page being pulled by its tab), they curve against each other like artichoke leaves and then spread as the angled spine pleats push them outwards.

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Books On Books Collection – Emory Douglas

Reparations (2010)

Close-up of a small, handmade book with the name 'Emory Douglas' printed in red and a decorative black pattern at the bottom. The book is tied with a piece of string.

Reparations (2010)
Emory Douglas
Cover enclosing leporello. Cover: H102 x W105 mm. Leporello: H89 x W95 mm (closed); W380 mm (open). [4] panels.Edition of 100, of which this is #45. Acquired from the San Francisco Center for the Book, 30 June 2025.
Photos: Books On Books Collection. Displayed with permission of the publisher.

Open book with a textured cover displaying the title 'REPARATIONS' by Emory Douglas, detailing its publication and production information.

“Emory Douglas is renowned for his iconic representations of the Black Panther Party through his work as the Party’s Minister of Culture. For decades, he communicated the power and charisma of the movement through his compelling straightforward graphic style. … The imagery for this edition was initially a painting by Mr. Douglas’ which was then translated into a 2 color, letterpress graphic. The pages of the book are a one-sided, accordion fold piece. The folded cover is made of Amate bark with hand-spun hemp and silk thread and letterpress printed in 2 colors with interior colophon page attached””–San Francisco Center for the Book

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