Bookmarking Book Art – Ida Gerhardt

In front of a canal-side bookstore in Delft is this invitation to sit, read and be. 
In front of a canal-side bookstore in Delft is this invitation to sit, read and be.

Ida Gerhardt (1905-1997, Dutch). A well-loved poet of the last century.

In English the title is somewhere between “inalienable” and “freehold”, and the poem begins

This will not be taken from us: reading

Breathlessly the page turning,

Far away, far from the everyday.

Bookmark – Iain Pears, Arcadia. The Future of Narrative?

Arcadia, Iain Pears
Arcadia, Iain Pears

In “The Scholarly Kitchen“, Joseph Esposito writes: “I suspect that the multiple narratives of Pears’s fiction will someday find an analogue in expository writing that enables intersections of one theme or thread with another, which would provide, as it were, a new form of discovery.”

Perhaps that “analogue” is already here for the scholarly article in Elsevier’s “Article of the Future” and Wiley’s “Anywhere Article“. In scholarly expository writing, the intersections are often those of “conversations” among articles, for which the Digital Object Identifier (DOI) has performed and continues to perform an innovatory spark. Consider the activity and ten aims of the Linked Content Coalition.

All of this has been a long time coming. The DOI has its roots in the Handle System, whose roots weave back beyond the Web to the Internet Protocol (IP) itself. Esposito notes Iain Pears’s print antecedents in the experimental ’60s fiction of John Barth and the creator of Scheherazade, and he could have added the 1987 digital precursor Afternoon, A Story by Michael Joyce.

A long time coming, and to the kids in the backseat reading Pears’s Arcadia on their iPads, “No, we’re not there yet … keep reading!”