A Surrealist Alphabet (2014)

To stand out and secure a place among the several other surrealist abecedaries and alphabet books out there — such as those by Jim Avignon & Anja Lutz, Roman Cieślewicz, Jason D’Aquino, Lisa Haines, Lynn Hatzius, Peter Hutchinson, Peter Malutzki, Clément Meriguet, Paul Noble, Judy Pelikan, Rose Sanderson, Zazie Sazonoff, Paul Thurlby and Ludwig Zeller — takes considerable talent and effort. Leonard Brett’s A Surrealist Alphabet displays just that.

Per the artist’s statement, an interest in the aesthetics of script as visual symbol led him to the Louvre and British Museum for studies of ancient scripts — Sumerian, Egyptian, and Chinese — and to Bali, Egypt and Istanbul for inspection of contemporary scripts and sources of inspiration. Juxtaposition of that with images and text alluding to baseball teams (the Blue Jays and Orioles ), celebrities (Elvis and Marilyn Monroe), Renaissance painters (Raphael and Pisanello among others), movies and TV shows (Casablanca and X-Men) and much more leads to one of the densest and most frenetic of alphabet artists’ books in the Books On Books Collection.

Each letter receives two double-page spreads. The first is a diptych, consisting of a black-and-white etching forming a composite letter across from a color image that may come from a watercolor or a host of other media; the second, a poem and another color image (again varying as to media) playing off the poem. The etchings and original color artwork were in an exhibition sponsored by the Sunshine Coast Arts Council in Sechelt BC, Canada,1-26 March 2017. According to the exhibition’s description, “The drawings in the book were used as a reference to produce the engravings shown in this exhibition. The engravings are done in the traditional manner using a burin to cut the plate, there is no acid used. They are inked and printed the same way as an etching on damp rag paper.”

The color treatments of A and Z suffice to show how the artworks in exhibition complemented and differed from the book. Just these letters’ two double-page spreads, however, come nowhere near the effect of unrelenting variety and creativity delivered by the volume as a whole.

Displayed in exhibition

Displayed in exhibition

An Unusual Animal Alphabet (2021)
Rose Sanderson
Casebound with illustrated paper over boards and patterned doublures, perfect bound. H155 x W215 mm 54pages. Edition of 100, of which this is #89. Acquired from the artist, 17 April 2023.
Photos: Books On Books Collection. Displayed with artist’s permission.

Written and illustrated by Rose Sanderson, this abecedary introduces children to the alphabet with humorous clashes of colors and animals (a pink bear or blue and white impala?) as well as odd combinations of concepts (topiaries and mammals, skyscapes and kangaroos). It all tips over into the surreal, which, with the vocabulary (spirograph, topiary, uakari), implies an audience of older children and adults.

Adding to the humor are other incongruities such as a paisley-patterned dingo and a camouflaged goat. The many half- or near-rhymes also enhance the humor: “Elephant Etta looks good in a sweater” and “Impala Ivar is as fragile as china”).

The production is of high quality. The text is printed on 170gsm silk paper and in full color. The cover comes from a scan of linen/canvas overlayed with a color layer with a balanced transparency that softly merges the two together. Whether or not inspired by the book’s half-rhymes, the designer (Emrys Plant) contributes an effective visual “half rhyme” of Arca Majora for the text type with Futura for the display type. Along with Sanderson’s conceptualization, imagination and craft, such touches nudge this work toward the category of artist’s book or, at least, sophisticated alphabet book.

Books On Books

Curated by Robert Bolick

Rose Sanderson

Books On Books Collection – Leonard Brett

A Surrealist Alphabet (2014)

Further Reading

Books On Books Collection – Rose Sanderson

An Unusual Animal Alphabet (2021)

Further Reading