Un Coup de 3Dés (2012)
Un Coup de 3Dés (2012)
Brian Larosche
H500 x W350 mm. Edition of 200, of which this is #162. Acquired from the artist, 15 April 2019.
In size, Larosche’s Un Coup de Dés outdoes most other versions and homage — except those that are installations. The large black cover suggests a dark movie screen on which Larosche’s version of the poem will play out in 3D. But why 3D? Trying to read Un Coup de Dés while wearing a pair of 3D glasses challenges the eyes’ patience just as much as the poem’s ambiguities challenge the mind’s. Within the Coup de Dés genre, there is a necessary strain of strained humor. Without it, art runs the risk of taking us too seriously.
L: Ultimate History Project; R: The_National_Archives_UK. Accessed 27 June 2020.
Confirming this joking intention behind his version, Larosche commented to Books On Books:
I originally handmade the book so that it was to worn on the nose like a large pair of glasses, which was another practical joke because the letters were too close to read, as in so 3D that it was literally in your face. — Brian Larosche, 2 April 2020.
Even with puns and slapstick there is often a point. The anaglyphic print technique and sheer size of Larosche’s version draw attention to Mallarmé’s sculptural play with type size and layout on a 2D surface as well as the poem’s spatial metaphors that align with it. In Mallarmé’s original, the staggering and dispersal of lines and single words on the page buttress, and are buttressed by, the word images of a roiling sea, shipwreck and constellation. Other artists with other techniques have drawn attention to that sculptural play and those spatial metaphors: Marcel Broodthaers‘ superimposed black bars, Michalis Pichler‘s and Cerith Wyn Evans‘ cut-outs, Sammy Engramer‘s sonograms sculpted in PVC and Eric Zboya‘s computer graphic “translation”.
Other artists have also poked serious fun at Un Coup de Dés and each others’ homage. Jim Clinefelter teases the sonority of the poem with his A Throw of the Snore Will Surge the Potatoes (1998). With her Rubik’s cube version (2005), Aurélie Noury needles the poem’s and poet’s puzzle pose. With their piano-roll versions, Rainier Lericolais (2009) and Pichler (2016) pick on Broodthaers (1969) as well as Mallarmé (1897) for their spatial metaphors and, in Mallarme’s case, his assertions of musicality. In Rodney Graham’s version (2011), Popeye substitutes for le Maître as the ship’s captain.
Larosche’s perceptively humorous rendering of Un Coup de Dés has earned it a secure perch among the other birds of the homage feather, and the use of 3D glasses seems to invite another layer of homage from artists interested in virtual reality headgear and augmented reality devices.
Further Reading
“Sammy Engramer”, Books On Books Collection, 1 June 2020.
“Cerith Wyn Evans”, Books On Books Collection, 16 April 2020.
French, Thomas. “3-D : Of Decidedly Victorian Origins“, The Ultimate History Project. Accessed 27 June 2020.
“Rodney Graham“, Books On Books Collection, 2 July 2020.
Noury, Aurélie. Un coup de dés (rubik’s cube) (Rennes: Éditions lorem ipsum, 2005). Accessed 27 June 2020.
Pichler, Michalis. Un coup de dés jamais n’abolira le hasard (SCULPTURE) (2008). Accessed 27 June 2020.
“Eric Zboya“, Books On Books Collection, 1 June 2020.
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