Books On Books Collection – Jim Clinefelter

A Throw of the Snore Will Surge the Potatoes: John M. Bennett meets Stéphane Mallarmé (1998)

A Throw of the Snore Will Surge the Potatoes: John M. Bennett meets Stéphane Mallarmé (1998) Jim Clinefelter

Saddle-stitched with staples, card and pink end sheets over twelve sheets of copier paper, H280 x W215 mm. Edition of Acquired from John M. Bennett, 8 July 2020.

Clinefelter’s is not the first parody or spoof of Mallarmé’s Un Coup de Dés Jamais N’Abolira le Hasard. That claim belongs to a nineteenth-century Australian poet and aficionado of Mallarmé’s poetry — Christopher Brennan. Brennan’s Prose-Verse-Poster-Algebraic-Symbolico-Riddle Musicopoematographoscope appeared in manuscript in 1897 but wasn’t published until 1981.

With images from a reprint of an early Sears Roebuck Catalogue and drawing on John M. Bennett‘s poetry as well as Un Coup de Dés, Clinefelter composed his book on a borrowed Macintosh SE — the late twentieth-century substitute for penmanship. Mallarmé only thought of having some images from his friend Odilon Redon separated from the text Un Coup de Dés. Clinefelter’s sense of fun and close attention to the original led him to integrate those Sears images throughout with the text to mimic Mallarmé’s textual and typographic road signs. Notice in the third row of the photos above how the hands holding pencils point toward lines (or perhaps enclose the lines between them like single quotation marks) and how the figure of the man’s head with directional arrows indicates the order or path in which the text should be read.

Clinefelter’s text, which draws on Bennett’s boisterous poems, pokes fun at the original’s emphasis on sonority even at the expense of semantic or syntactic clarity. It also pokes fun at some of the lines that have challenged readers and translators alike:

LE MAÎTRE surgi inférant de cette conflagration à ses pieds de l’horizon unanime que se prépare s’agite et mêle au poing qui l’étreindrait … becomes

“THE MASTER knees inferring from this conflagration drips there as soft threatens the unique clam”

and cadavre par le bras écarté du secret qu’il détient … becomes

“corpse mud the arm”.

For their parody, Clinefelter and Bennett may have to apply for honorary Australian citizenship. It seems that, starting with Christopher Brennan, the Australians cannot stop teasing Mallarmé. We have Chris Edwards’ A Fluke: A Mistranslation of Stéphane Mallarmé’s “Un Coup De Dés…” with Parallel French Pretext (2005) and John Tranter’s Desmond’s Coupé (2006). Parody, pastiche or spoof — Clinefelter’s and these other responses enrich the genre of Un Coup de Dés. Somehow in their exuberance they are all saying “yes” to the abyss or, at least, managing one more guffaw of the dice.

Further Reading

Rodney Graham“, Books On Books Collection, 3 July 2020.

Guest, Stephanie. “Barbecued sunrise: Translation and transnationalism in Australian poetry“, Journal of the Association for the Study of Australian Literature, 18.3.

Shaw, Mary Lewis.”Mallarmé at the Circus: Incoherent Parody“, Dalhousie French Studies, Vol. 24 (Spring-Summer 1993), pp. 71-85.

Books On Books Collection – Brian Larosche

Un Coup de 3Dés (2012)

Un Coup de 3Dés (2012)

Brian Larosche

H500 x W350 mm. Edition of 200, of which this is #162. Acquired from the artist, 15 April 2019.

In size, Larosche’s Un Coup de Dés outdoes most other versions and homage — except those that are installations. The large black cover suggests a dark movie screen on which Larosche’s version of the poem will play out in 3D. But why 3D? Trying to read Un Coup de Dés while wearing a pair of 3D glasses challenges the eyes’ patience just as much as the poem’s ambiguities challenge the mind’s. Within the Coup de Dés genre, there is a necessary strain of strained humor. Without it, art runs the risk of taking us too seriously.

L: Ultimate History Project; R: The_National_Archives_UK. Accessed 27 June 2020.

Confirming this joking intention behind his version, Larosche commented to Books On Books:

I originally handmade the book so that it was to worn on the nose like a large pair of glasses, which was another practical joke because the letters were too close to read, as in so 3D that it was literally in your face. — Brian Larosche, 2 April 2020.

Even with puns and slapstick there is often a point. The anaglyphic print technique and sheer size of Larosche’s version draw attention to Mallarmé’s sculptural play with type size and layout on a 2D surface as well as the poem’s spatial metaphors that align with it. In Mallarmé’s original, the staggering and dispersal of lines and single words on the page buttress, and are buttressed by, the word images of a roiling sea, shipwreck and constellation. Other artists with other techniques have drawn attention to that sculptural play and those spatial metaphors: Marcel Broodthaers‘ superimposed black bars, Michalis Pichler‘s and Cerith Wyn Evans‘ cut-outs, Sammy Engramer‘s sonograms sculpted in PVC and Eric Zboya‘s computer graphic “translation”.

Other artists have also poked serious fun at Un Coup de Dés and each others’ homage. Jim Clinefelter teases the sonority of the poem with his A Throw of the Snore Will Surge the Potatoes (1998). With her Rubik’s cube version (2005), Aurélie Noury needles the poem’s and poet’s puzzle pose. With their piano-roll versions, Rainier Lericolais (2009) and Pichler (2016) pick on Broodthaers (1969) as well as Mallarmé (1897) for their spatial metaphors and, in Mallarme’s case, his assertions of musicality. In Rodney Graham’s version (2011), Popeye substitutes for le Maître as the ship’s captain.

Larosche’s perceptively humorous rendering of Un Coup de Dés has earned it a secure perch among the other birds of the homage feather, and the use of 3D glasses seems to invite another layer of homage from artists interested in virtual reality headgear and augmented reality devices.

Further Reading

Sammy Engramer”, Books On Books Collection, 1 June 2020.

Cerith Wyn Evans”, Books On Books Collection, 16 April 2020.

French, Thomas. “3-D : Of Decidedly Victorian Origins“, The Ultimate History Project. Accessed 27 June 2020.

Rodney Graham“, Books On Books Collection, 2 July 2020.

Noury, Aurélie. Un coup de dés (rubik’s cube) (Rennes: Éditions lorem ipsum, 2005). Accessed 27 June 2020.

Pichler, Michalis. Un coup de dés jamais n’abolira le hasard (SCULPTURE) (2008). Accessed 27 June 2020.

Eric Zboya“, Books On Books Collection, 1 June 2020.