I first came across Noriko Ambe’s book art in 2013 through her site and MoMA’s Inside/Out. Two years later and preparing to attend the closing of Yale University Art Gallery’s special exhibition of Allan Chasanoff’s collection of book art, I spotted her Basic Sketch Book. The latter provided me with a way of making sense of what seemed like a slight contradiction of assertions in her artist’s statement and the MoMA interview.
Referring to the series Work of Linear – Actions, Ambe writes, “It looks like annual rings of a tree or topographical map or wave, but it isn’t. It is absolutely the traces of actions of a person, which is me.” So here is book art as abstract self-portraiture.
But in her interview with Hanna Exel and referring to the series –
Here is the list of works in the series:
His heart, his life: Andy Warhol
Collected Beauties: Damien Hirst
Art Victims: Damien Hirst
Prologue: Sugimoto + Foer
Sculpture: Richard Serra
Spiritual America: Richard Prince
Crash!: Takashi Murakami
Kiru- Cut : Egon Schiele
In the Studio: Arberto Giacometti
Current – War Cut: Gerhard Richter
Current – A Private Atlas: Gerhard Richter
In the bathtub?!: Jeff Koons
Diamond Dust Shoes: Andy Warhol
Warning!: Richard Pettibone
Sailing to…: Cy Twombly
Anatomy of Love: John Currin
Listning to Tom Freidman: Tom Freidman
Thoughts on Tom Freidman: Tom Freidman
Beautiful Inside of My Head Forever: Damien Hirst
Dots on Dots and Leyers: Roy Lichtenstein
To Perfect Lovers: Felix Gonzalez-Torres
A Study of Robert Therrein: Robert Therrien
Double sides: Girbert & George
Artists, Believe in Yourself.: Piotr Uklanski
In her series statement, Ambe elaborates:
The process of creation was divided into roughly three stages. First, I earnestly established a deep respect for the artists and verified what they expressed through their art. After assimilating that information I decided on the theme (title) that needed to be expressed. Through a filter, the filter being me, the work was made while cutting as though I was having a dialogue with each single page.
When cutting something from the back I didn’t know what kind of image would appear next. Each time I decided to cut away or to leave behind and the process continued to a point where the book was on the verge of destruction, and then following my theme I re-constructed. Finally, while I clearly remained in the work as a filter, the essence of the artist was emphasized. It became a collaboration for the first time when these two things were balanced.
She calls the results dialogues and collaborations. I see unique works of art. Literally taking tradition as her material, Ambe delivers book art with its own unmistakeable, individual style. Each interpretation through her eyes, hands and scalpel is a unique, new work and a self-portrait in an abstract sense.
There is not the slightest contradiction.