Books On Books Collection – Chisato Tamabayashi (II)

Spirit (2024)

Spirit (2024)
Chisato Tamabayashi
Yellow cloth-covered slipcase. Leporello of 8 panels and enclosing cover. Slipcase: H168 x W129 x D24 mm. Book: H160 x W120 mm (closed); W2100 mm. 16 panels (excluding enclosing cover). Edition of 60, of which this is #2. Acquired from Chisato Tamabayashi, 5 November 2024. Photos: Books On Books Collection.

Chisato Tamabayashi’s leporello Spirit departs from her usual paper-engineering techniques. It relies on hole punching, paper sculpture, and display with light. Her crossover in techniques will remind close observers of Katsumi Komagata’s movement from Little Tree/Petit arbre (2008) to「Ichigu」(2015).

Spirit is accompanied by the 20th century poet Misuzu Kaneko‘s poem “Stars and Dandelions” (in English and Japanese) from which Tamabayashi has taken her inspiration.

Viewed standing or lying flat, the leporello’s arranged holes echo the seeds leaving the dandelion heads bare in the second stanza of the poem.

Just before the last spread of imagery, the upper edge takes on the shape of the ocean surface beneath which the stones mentioned in the first stanza lie.

A projection to the background echoes the stars from the first stanza of the poem.

A projection to the foreground echoes the stones on the seabed from first stanza of the poem. Photos: Courtesy of the artist.

Like Misuzu Kaneko’s poetry, Chisato Tamabayashi’s artwork appeals to children and adults, underscoring the link between children’s books and artists’ books explored so well by the Huberts in The Cutting Edge of Reading, Johanna Drucker in “Artists’ Books and Picture Books”, and Sandra Beckett in Crossover Picturebooks.

Tamabayashi’s and Komagata’s handling of holes, paper engineering, and display with light should be considered alongside the efforts of the book and paper artists’ explored in the second issue of Inscription as well as those of Eleonora Cumer and Jenny Smith.

Further Reading

Inscription 2 on Holes“. 29 May 2022. Books On Books Collection.

Katsumi Komagata (I)“. 22 March 2020. Books On Books Collection.

Eleonora Cumer“. 6 September 2019. Books On Books Collection.

Jenny Smith“. 31 July 2017. Books On Books Collection.

Chisato Tamabayashi (I)“. 27 August 2024. Books On Books Collection.

Beckett, Sandra L. 2013. Crossover Picturebooks : A Genre for All Ages. London: Routledge.

Drucker, Johanna. 2017. “Artists’ Books and Picture Books: Generative Dialogues” in The Routledge Companion to Picturebooks, edited by Bettina Kümmerling-Meibauer. London: Taylor & Francis Group.

Hubert, Renée Riese and Judd D. Hubert. The Cutting Edge of Reading: Artists’ Books. New York: Granary Books, 1999.

Books On Books Collection – Chisato Tamabayashi (I)

Plunge (2010)

Plunge (2010)
Chisato Tamabayashi
Casebound, cloth over boards. Pop-up book. H193 x W152 mm. [12] pages. Collinge & Clark, 6 August 2024.
Photos: Books On Books Collection. Displayed with permission from Chisato Tamabayashi.

“This book begins with a dive into the sea, down into the deep and back again, encountering various creatures on the way. The pages are designed to be held and angled in different ways so that the reader can explore the depths and the two sides of the sea’s surface.”–Artist’s statement

It is a pleasure to touch and turn the pages forming the surface and bed of the sea on which the pop-ups and movable elements rise, fall and move. The screen printing with TW graphics ink (pigment ink) enrich the book’s freshness and vibrancy. These photos and very brief video further below do little justice to Plunge and only hint at the sheer fun of manipulating it.

Pages: Simili Japon paper 225gsm. Pop-ups, hand cut by scalpel from Murano pastel paper 160gsm and Colorplan paper 175gsm.

As the double-page spread below shows, Tamabayashi thinks and crafts “in the round” to position his paper sculpture to suggest a sea turtle’s motion through the water.

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