Books On Books Collection – Jenny Smith

Untitled (2006)

Untitled (2006)
Jenny Smith
Matte-beige slot-and-tab case containing eight-panel leporello, four panels lasercut and three screenprint. Case: 167 x 167 mm; Book: 165 x 165 mm.
Edition of 25 of which this is #21. Acquired from the artist, 31 July 2017. Photo: Courtesy of the artist.

Photos: Books On Books Collection.

This portable sculpture echoes the tradition of Bruno Munari and Eleonora Cumer. The handling of ink from matte gray to silver to reflective black plays beautifully behind the vertical and

Book of Beads (2008)

Book of Beads (2008)
Jenny Smith
Case of beige matte-finish, screenprint black interior, title lasercut: 165 x 165 mm;
Book in accordion-fold, eight panels lasercut, taupe on one side, screenprint black on other, 160 x 160 mm
Edition of 20 of which this is #13. Acquired from the artist, 31 July 2017. Photo: Courtesy of the artist.

Photos: Books On Books Collection.

The interlocking views of panels through panels foreshadow a work by Katumi Komagata:Ichigu(2015). The fine tendrils in the cutting may remind some of works by Béatrice Coron or Merrill Shatzman.

Little Black Book (2009)

Little Black Book (2009)
Jenny Smith
Matte-black slot-and-tab case containing matte-black single fold booklet; cover engraved with an abstract, calligraphic design that is cut out inside on the pop-up page and reappears in shadow against a gloss black screenprint insert behind the pop-up page. 
Case: 167 x 167 mm; Book: 160 x 160 mm; Pop-up page: H140 x W150 mm.
Edition of 20, of which this is #14. Acquired from the artist, 31 July 2017. Photo: Courtesy of the artist.

Photos: Books On Books Collection.


Little Black Book exemplifies Smith’s exploration of writing as a form of drawing, which also often finds expression in site-specific work such as What is the most important decision you have made? (2013) in Cupar, Fife, Scotland, and What is Shadow? and What is Freedom? (2016) in the same vicinity.

The grassy nature of the 2013 installation and its engagement with children may remind the reader/viewer of Water on the Border (1994) by Helen Douglas and Telfer Stokes. For some, the interaction of cage and words in the 2016 installation may recall Bird Language (2003) by Xu Bing.

Further Reading

Medicinal Art”, Studio Pavilion, 19 September 2019. Accessed 2 May 2020.

Blakeley, Deborah. “Jenny Smith, Edinburgh, Scotland”, Zone One Arts, 1 November 2015. Accessed 2 May 2020.