William Dean Minter, Senior Book Conservator in the Digitization and Preservation Department at Pennsylvania State University drew my attention to these images. At first, they reminded me of passages in Annie Tremmel Wilcox’s A Degree of Mastery, in which she describes mending rare books with kozo paper under the hawkeye of the late Bill Anthony. Then, dreamcatchers sprang to mind. What were the images, sounds and thoughts caught in words now missing on these pages, words slipped from the dreamcatching pages? But book artist Esther Kibby, who teaches photography, graphic design and web design at the Art Institute of Dallas in Texas, came up with the most telling association: kintsugi.
Kintsugi (or kintsukuroi) is a Japanese method for repairing broken ceramics with a special lacquer mixed with gold, silver, or platinum. The philosophy behind the technique is to recognize the history of the object and to visibly incorporate the repair into the new piece instead of disguising it. The mastery of the book restorer is to invisibly repair the book. Our “dreamcatcher” restorer seems to have in mind the kintsugi philosophy and lets the repair draw attention to itself and creates “a new piece”.
In the hands of a book artist, such a technique could generate ironic expressions of biblioclasm: the restored book that is no longer a book? Or echoes of Walter Benjamin’s presumption of and preoccupation with the modern world’s fragmentary nature? Or the pain and sorrow of Al-Mutanabbi Street?
Or a tongue-in-cheek answer to those horrified by the destruction of “the book”?
When the Japanese mend broken objects, they aggrandize the damage by filling the cracks with gold. They believe that when something’s suffered damage and has a history it becomes more beautiful. —Barbara Bloom
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