Bookmark – Aldus Manutius, 6 February 1515 – 6 February 2015

Hypnerotomachia Poliphili, Venice: Aldine Press, 1499.
Hypnerotomachia Poliphili. Venice: Aldine Press, 1499.

Late afternoon before the long worn wooden benches in the Bodleian’s Convocation Hall, 500 years after the death of Aldus Manutius, Oren Margolis served his audience well, providing them with a richer appreciation of the “finest printed book of the entire Renaissance”* – the Hypnerotomachia Poliphili – and of its publisher Aldus Manutius.

Drawing our attention to the more sculptural qualities of Venetian Renaissance printed books over the Florentine and to the  evidence of the humanist agenda that drove Manutius, he led us to the page where Poliphilo (lover of all things, but in particular Polia, the ideal woman pursued to the end of the book) stands before a carving that foreshadows the Aldine Press device: a dolphin entwined around the shank of an anchor. The Aldine Press device was inspired by a similar image on an ancient Roman coin given by Pietro Bembo to Aldus, who wrongly associated it with Augustus and his proverb Festina lente (“Make haste slowly”) and adopted both for his printing and publishing business.

Erasmus praised Aldus, saying that he was “building a library which knows no walls save those of the world itself”.

For all of 2015, the world enjoyed a multitude of celebrations of the contribution of Aldus Manutius to publishing, printing and the book. After Gutenberg, Fust and Schoeffer, Aldus Manutius was perhaps the most important printer of the Renaissance. His portable books are still here, although locked away or displayed under glass, no longer so portable. Until now.

The Manutius Network 2015  provides a running list, links for some of which are provided below, including the online exhibition associated with Margolis’s talk.  See also below, added in May 2016, the belated exhibition “Aldo Manutius: The Renaissance in Venice” at the Gallerie dell’Accademia in Venice.

IMG_1604
In the Proscholium, The Bodleian Library   Oxford

 

 

 

Invitation from the Biblioteca Nazionale Marciana
Invitation from the Biblioteca Nazionale Marciana
The British Library
The British Library
getImage
The Grolier Club

See the New York Times coverage here.

In aedibus Aldi The Brigham Young University's Harold B. Lee Library
In aedibus Aldi
The Brigham Young University’s Harold B. Lee Library
John Rylands Library University of Manchester
John Rylands Library
University of Manchester
The Dolphin and Anchor device National Library of Scotland
The Dolphin and Anchor device
National Library of Scotland
Illuminated initial Pontani Opera, 1505 The works of Giovanni Gioviano Pontano (1426–1503) University of Reading
Illuminated initial
Pontani Opera, 1505
The works of Giovanni Gioviano Pontano (1426–1503)
University of Reading
from Hypnerotomachia Poliphili, 1499 University of Glasgow
from Hypnerotomachia Poliphili, 1499
University of Glasgow

 

International Conference Celebrating Aldu Manutius University of California, Los Angeles
International Conference
Celebrating Aldus Manutius
University of California, Los Angeles
Aldo Manutius: The Renaissance in Venice http://www.mostraaldomanuzio.it/exhibition Exhibition poster containing detail of ‘Portrait of a Woman as Flora’ (c1520), by Bartolomeo Veneto © Eton College
Aldo Manutius: The Renaissance in Venice
Exhibition poster containing detail of ‘Portrait of a Woman as Flora’ (c1520), by Bartolomeo Veneto © Eton College

More from the University of Glasgow here.

*Alexander Lawson. The Anatomy of a Typeface. Jaffrey, NH: Godine, 1990. 

Your thoughts?

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s