Deep in the Bordeaux region, Diane de Bournazel creates livres d’artiste, sculptures and paintings and prints that will make you think of cave art, Hieronymus Bosch, Marc Chagall, Maurice Sendak, medieval tapestries, illuminated books and, finally, the distinctive art de Bournazel.
Notice how the threads in gradated colors create a reflective pathway into the foreground, the mountains and sky?
More about Noela Mills here.
Containing over 700 items, the Arnolfini artists’ book collection is one of the largest UK collections of contemporary book art. It leans toward the 1970s and 1980s. The US-based Franklin Furnace Archive Artists Book Bibliography is representative, as are European works such as those of Vito Acconci, Marcel Broodthaers, Stanley Brouwn, Hanne Darboven, Jan Dibbetts, Helen Douglas, Dieter Roth and Telfer Stokes.
The collection is not without later representative works such as those by SooMin Leong, Jonathan Monk and Grayson Perry, but there seem to be no works after 2012. The Arnolfini, Bristol’s center for contemporary art, also hosts the biennial Bristol Artists Book Event.
Formerly housed at Bank Street Arts, the collection was seeking a new home in August 2018. This online catalogue provides access to the 650+ artists books donated over the 10 years in which Bank Street Arts organized the Sheffield Artist’s Book Prize (now the SIABP). Among the outstanding contributions, you will find: Louisa Boyd’s Stardust , Candace Hicks’ Common Threads Volume XI VIII, Julie Johnstone’s A Book of Hours Frances Kiernan Yuanyang, Peter Knight Enduring Relationship with Print, Helen Malone Unchartered Democracy, M.L. Van Nice’s Coming to the City, Chris Ruston’s Ice Matters, Tracing Memory Lines of Vanishing World, Wilber Schilling’s A Reminder and Elisabeth Tonnard’s A Dialogue in Useful Phrases
Josh Hockensmith, curator at the University of North Carolina’s Joseph C. Sloane Art Library, made it possible for me to handle this searing work memorializing the 43 students from the Raúl Isidro Burgos Rural Teachers’ School of Ayotzinapa who disappeared in September 2014 near Iguala, Mexico. The driving rain outside the windows that day compounded the work’s effect.
The hard work of describing Velázquez’s book has been done by Stephen Dingler, rare book cataloger at the University of Texas, Austin, Below is an excerpt of online comments on the 13th copy of the edition of 43.
The use of the number 43 is not restricted to the title in Ms. Velázquez’s work. Forty-three numbered copies of the book were made; the book, constructed in concertina (accordion) style, has 43 unnumbered pages; the numbers from one to 43 are printed across several pages; on one page the number 43 is produced in braille. There is little text but the book artist’s use of photographs showing demonstrations and rallies, as well as portrait photographs of the 43 missing, convey a sense of outrage and a demand for justice. The book’s pages are colored black, with most splashed or streaked with red paint, which further conveys a sense of horror and tragedy at what happened.
Stephen Dingler, “The Significance of Numbers”, The Top Shelf, 15 August 2016. Accessed 7 September 2018.
Even with more than 100 people arrested in relation to the case and a key suspect in custody in March 2018, the facts remained unknown. The 43 would have graduated in July 2018. Mexico’s new president Andrés Manuel López Obrador has committed to launching an independent commission on 1 December 2018 to to re-open the investigation in compliance with a federal court ruling.
Other artist’s books by Lorena Velázquez:
Un Mundo sin Flores/A World without Flowers (2016) Book 31.0 X 11.5 cm; box 31.5 X 12.0 cm, mixed media, photo engraving, serigraphy; edition: 12 + 2 a/p. WorldCat link.
Le Silence des Arbres/The Silence of Trees (2013) Book 28.2 x 22.0 cm, box 30.3 x 24.2 cm, edition 20 + 2 a/p. WorldCat link.
The Spiral Lady (2013) Book 21.5 X 20.0 cm; box 56.5 X 21.5 cm; edition 20 + 2 a/p. Collaboration with Lola Argemí. WorldCat link.
El Vuelo/Flying (2012) Book 21.5 x 18.0 cm; box: 23.0 cm x 19.5 cm; mixed technique, fine art printing, interventions with chinese ink and acrylic; edition: 10 + 2 a/p. WorldCat link.
El Latido del Corazón/Heartbeat (2011) Book 24.5 x 35.5 cm; box 38.5 x 37 x 4.5 cm; mixed media, digital printing over plaques of collodion and several objects; edition: 4 + 2 a/p.
Books On Books 