Books On Books Collection – David McLimans

Gone Wild (2016)

Gone Wild: An Endangered Animal Alphabet (2016)
David McLimans
Casebound, illustrated paper over boards, illustrated doublures, sewn book block. Illustrated, debossed glossy paper dustjacket. H255 x W285 mm. 36 unnumbered pages. Acquired from Gargoyle Books, 25 August 2022.
Photos: Books On Books Collection.

In the history of children’s books, the alphabet looms large, and among alphabet books, animal alphabets make up the largest category. But why animals?

For learning and teaching letters, they are easily recognized and mnemonically effective. Illustrators can wrap them around letters, make them twist themselves into letters or hide them behind letters. Designers can hide them on tabs behind letters, make them pop out, parade them across leporellos (accordion books), let them lurk in tunnel books or put them on a paper disk to appear and disappear in a volvelle’s window. Writers can weave stories with animals and letters, put animals and letters together in puns and surprising scenarios or use alliteration and rhyme with them to reinforce letter recognition and reading. For authors more paleographically and philosophically inclined, the answer to “Why animals?” might be sought in the origins of the alphabet’s first letter as James Rumford does in There’s a Monster in the Alphabet (2002) and Don Robb and Anne Smith do in Ox, House, Stick (2007).

A Methode or Comfortable Beginning for All Vnlearned Whereby They May Be Taught to Read English : In a Very Short Time Vvith Pleasure: So Profitable As Straunge Put in Light by I.h. Chester Heralt (1750)
John Hart
Image from Folger Shakespeare Library

Whatever the cause, ever since John Hart’s A Methode, or Comfortable Beginning for All Unlearned (1570), which appears to be the first example of teaching the English alphabet with illustrations, we have had an explosion of imagination and wit choosing, finding or making up animals, birds, fish, insects and reptiles with which to decorate the letters, to make from letters (or make letters with), to be disguised with abstractions or to be hidden, revealed or popped out from behind letters. Now, in reverse over four centuries later, the alphabet has been mustered for teaching the endangered state of those creatures.

While E.N. Ellis, Bert Kitchen, the team of Alan Robinson and Suzanne Moore all allot only one letter and the dodo to make the point, Dick King-Smith and Quentin Blake together devote almost all of their Alphabeasts (1990) to examples of extinction, as do Jerry Pallotta and Ralph Masiello in The Extinction Alphabet Book (1993).

Left to right: from E.N. Ellis’s An Alphabet; Bert Kitchen’s Animal Alphabet; Alan Robinson and Suzanne Moore’s A Fowl Alphabet.

Quentin Blake’s page-by-page visual narrative married to Dick King-Smith’s opening verses in Alphabeasts.

With Gone Wild, David McLimans adds a complex and subtle device to the explosion. The book is not so much about learning the alphabet with animals as learning about animals with the alphabet — or rather with “alphabetic art”. Wielding computer, pencil, pen, brush and India ink on bristol board, David McLimans redraws the alphabet’s capital letters to look like animals not yet extinct but on the Red List of the International Union for Conservation of Nature. Even traditional alphabet book design subtly serves as a teaching tool about these animals. Notice how McLimans and John Candell, the book’s designer, turn the traditional presentation of uppercase and lowercase letters into a kind of running head that underscores the common and scientific names of each animal. Even the list of facts on each species — their habitats, geographic ranges, threats to survival and statuses — receives meaningful thematic design touches from the use of two-color printing — blood red and extinction black.

After the brief red-on-black thumbnails and descriptions following Grevy’s Zebra, McLimans provides further reading (online and in print). You have to go beyond a quick dive into the address he provides for the IUCN to find the Red List (see address above). There you will learn how up to the minute this book was in 2016 — and, unfortunately, still is.

Further Reading

Abecedaries I (in progress)“. Books On Books Collection.

Marie Angel“. 18 June 2021. Books On Books Collection. For letters decorated with animals.

Paul Cox“. 18 October 2021. Books On Books Collection. For an abstract animal alphabet.

E.N. Ellis“. 30 October 2022. Books On Books Collection. For letters decorated with animals other than the dodo.

Dick King-Smith and Quentin Blake“. In progress. Books On Books Collection. For letters in aid of animals rather than vice versa.

Miarko“. In progress. Books On Books Collection. For letters decorated with animals.

Suzanne Moore“. 14 January 2020. Books On Books Collection. For letters associated with other birds besides the dodo.

Don Robb and Anne Smith“. 26 March 2023. Books On Books Collection. For the animal-related origin of the alphabet.

James Rumford“. 21 November 2022. Books On Books Collection. For the animal-related origin of the alphabet.

Sharon Werner and Sharon Forss“. 30 December 2022. Books On Books Collection. For animals made from letters.

Chinese Alligator (Alligator sinensis Fauvel 1879)“. Encyclopedia of Life. Accessed 17 February 2023.

Grevy’s Zebra Equus grevyi Oustalet 1882“. Encyclopedia of Life. Accessed 17 February 2023.

Cossins, Jennifer. 2017. A-Z of Endangered Animals. Sydney N.S.W: Lothian Children’s Books. For letters in aid of animals rather than vice versa.

Haines, Mike. 2010. Wild Alphabet : An A to Zoo Pop-Up Book. New York NY: Kingfisher Books. For animals popping out from behind letters.

Hunt, Peter, and Butts, Dennis. 1995. Children’s Literature : An Illustrated History. Oxford: Oxford University Press. See, in particular, pp. 6-7.

Kitchen, Bert. 1991. Animal Alphabet. London: Walker Books. For letters decorated with animals other than the dodo.

Mackey, Bonnie and Hedy Schiller Watson. 2017. Alphabet Books : The K-12 Educators’ Power Tool. Santa Barbara California: Libraries Unlimited. For a brief history and extended categorization of alphabet books.

Markle, Sandra; Markle, William; and Dávalos, Felipe. 1998. Gone Forever! : An Alphabet of Extinct Animals. 1st ed. New York N.Y: Atheneum Books for Young Readers. For letters in aid of animals rather than vice versa.

Mullins, Patricia. 1995/1993. V For Vanishing : An Alphabet of Endangered Animals. Sydney N.S.W: Margaret Hamilton Books. For letters in aid of animals rather than vice versa.

Pallotta, Jerry, and Masiello, Ralph. 1993. The Extinct Alphabet Book. Watertown Mass: Charlesbridge. For letters in aid of animals rather than vice versa.

Wakefield, D. R. 2009. An Alphabet of Extinct Mammals. Goole: Chevington Press. For letters in aid of animals rather than vice versa.

Wakefield D. R. 2010. Alphabet of Endangered Mammals : A Collection of Etchings Depicting Animals Considered Extinct in the Wild 2050. Goole: Chevington Press. For letters in aid of animals rather than vice versa.

Books On Books Collection – E.N. Ellis

An Alphabet (1985)

An Alphabet (1985)
E.N. Ellis
Terracotta card slipcase, casebound sewn, quarter terracotta cloth and red patterned paper covered boards with white-paper label stamped in red, colored endpapers, Velin d’Arches paper. Slipcase: H138 x W108 mm; Book: H135 x W107 mm, 32 pages. Edition of 75, of which this is #31. Acquired from David Miles Bookseller, 30 September 2021.
Photos: Books On Books Collection. Displayed with permission of the artist.

An Ashmolean exhibition called “Scene through Wood” (10 August–15 November 2020) featured the work of Edwina Ellis among others in a century overview of wood engraving. Here is the exhibition’s description of Ellis and her work

Born in Australia in 1946, Ellis is a pioneering artist responsible for ‘some of the most technically elaborate engravings ever made’. Her work is held in international collections around the world. Her treatments of mundane objects like pieces of paper are virtuoso achievements, so realistic they take on surreal dimensions.

Less concerned with realism or surreality, her wordless alphabet reveals a sly humor: U for an upside down unicorn and X for a Dodo, and animal anatomy drawing attention to letter parts (for example, tails).

With Ellis and her humor, the traditional tension between text and image in artists’ books falls into reveling with entwining letters and even hiding them with their animal associates and striking the balance just right.

Also on display is her appreciation for predecessors: a hint of Johannes Lencker on the title page while squeezing the tools of the trade in between an armadillo and zebra, and a nod toward Aldus Manutius and his dolphin and anchor trademark.

Distinguished abecedarians and typographers have an interesting history with the black and white coat of arms and title piece atop the masthead of The Times of London. In 1953, it was Reynolds Stone; in 1966, Berthold Wolpe; and in 2006, Edwina Ellis.

The last word on this work of book art belongs to the artist:

The blocks and the book are significant to me now on a number of counts. They almost began my wood-engraving career, I worked with a seminal printer and also bonded with Stanley Lawrence over the course of the engraving. The wood-blocks increased in quality over the course of their engraving as my ability and our mutual respect grew. I had no knowledge of letterpress printing, so the initial letters and animals tightly fit each rectangle: this gave Michael Mitchell of the Libanus Press enormous headaches, as he had to carefully measure and pack the blocks differently. He was, meanwhile, teaching me to print. I often still think of the dodo makeready: a revelation. (Correspondence with Books On Books, 22 October 2021)

Further Reading

Abecedaries I (in progress)“. Books On Books Collection.

Poster artwork; London’s new architecture, by Edwina Ellis, 1996“. London Transport Museum. Accessed 29 October 2021.

Driver, David. 20 November 2006. “After 221 years, the world’s leading newspaper shows off a fresh face“. The Times. Accessed 29 October 2021.

Stone Reynolds. 1974. An Alphabet. London: Warren Editions.

Hall, Alistair. 29 September 2017. “The Wolpe Collection.” We Made This. Accessed 29 October 2021. Wolpe was also a scholar of typography, One of the works with which he was involved is in the Books On Books Collection: Johann David Steingruber’s Architectonisches Alphabeth (1773/1972).

Books On Books Collection – Johann Theodor de Bry

Neiw Kunstliches Alphabet (1595/1995)

Neiw Kunstliches Alphabet (1595/1995)
Johann Theodor de Bry
Facsimile edition created by Joseph Kiermeier-Debre and Fritz Franz Vogel as part of the boxed set Alphabets Buchstaben Calligraphy, published by Ravensburger Buchverlag (1998). H275 x W255 mm, 80 pages. Acquired from Antiquariat Terrahe & Oswald, 14 March 2021.
Photos: Books On Books Collection.

Johann Theodor de Dry and his sons were copperplate engravers, best known for their Grands and Petits Voyages (1590-1634) of 57 separate parts, containing over 500 different engravings illustrating the explorations of the world beyond the shores of 16th and 17th century Europe. While the De Brys’ place in the history of book art might be traced from their illustrations of Hans Staden’s tales of Brazilian cannibals to Oswald de Andrade’s “Manifesto Antropófago” [Cannibal Manifesto] (1928) and Moussa Kone’s Nowhere Land (2017), their equally strong, if not better, claim rests on the Neiw Kunstliches Alphabet (1595) and the Alphabeta et characteres (1596).

The Neiw Kunstliches Alphabet presents the letters of the alphabet adorned with Judaeo-Christian allegorical figures, vegetation, birds and animals, instruments, implements, weapons and regal emblems. An octave in Latin and one in German provide hints for identifying the allegorical and emblematic references. At the end of the De Brys’ alphabet atlas Alphabeta et characteres, iam inde a creato mundo ad nostra usq. tempora, apud omnes omnino nationes usurpat (1596) depicting dozens of alphabets — the Chaldaic, Egyptian, Hebrew, Greek, Slavonic, Hispanic, Latin and so on — another decorated alphabet and an alphabet formed of human figures make their appearance.

Neiw Kunstliches Alphabet (1595). Images: Bibliothèque nationale de France.

Letters R&S and the human alphabet from Alphabeta et characteres, iam inde a creato mundo ad nostra usq. tempora, apud omnes omnino nationes usurpat (1596).
Images: Bibliothèque nationale de France.

Kiermeier-Debre and Vogel reproduce to scale the letters from the Neiw Kunstliches Alphabet and present thumb-nail versions of the alphabets as well as the decorated letters from Alphabeta et characteres. Their facsimile is not the first for these works. J.N. Stoltzenberger printed Alphabeta et characteres in translation for William Fitzer in 1628, and George Waterston & Sons published Neiw Kunstliches Alphabet as The New Artistic Alphabet in 1880 (albeit without the original’s text and verses). By juxtaposing all these originals, Kiermeier-Debre and Vogel provide a concentration of what makes the De Brys partial forerunners in the history of book art: images embracing letters (and letters embracing images).

Joseph Kiermeier-Debre and Fritz Franz Vogel facsimile (1995) of Neiw Kunstliches Alphabet (1595), pp. 12-13.
Photos: Books On Books Collection.

Left: George Waterston & Sons facsimile (1880) of Neiw Kunstliches Alphabet (1595).
Right: Caracters and Diversitie of Letters Vsed by Fivers Nations in the VVorld; the Antiquity, manifold vfe and varietie thereof; vvith Exemplary defcriptions of very many ftrang Alphabets. Curiously cutt in braffe by Iohn Theod: de Bry deceased, Franckfort on the Mayne. Printed by John Nicol: Stoltzenberger for William Fitzer (1628). Close up.
Photos: Books On Books at the Bodleian Library.

Left: Waterston (1880). Right: Stolzenberger (1628).

Left: Waterston (1880). Right: Stolzenberger (1628).

Other abecedaries in the Books On Books Collection that strike the Baroque note or blend image and letter in ways that argue a descendancy from the De Brys include

Marie Angel‘s An Animated Alphabet (1996)
Tauba Auerbach‘s How to Spell the Alphabet (2007)
Anthon Beeke‘s Alphabet (1970) and Body Type (2011)
E.N. Ellis’ An Alphabet (1985)
Francesca Lohmann‘s An Alphabetical Accumulation (2017)
Lisa Merkin’s Bodies Making Letters (2021)
Suzanne Moore‘s A Blind Alphabet (1986)
Johann David Steingruber‘s Architectonisches Alphabeth (1773/1972)
E. Andrew Zega and Bernd Dam‘s An Architectural Alphabet : ABC (2008)
Ludwig Zeller‘s Alphacollage (1979)

De Bry also published Michael Maier’s Atalanta Fugiens or Emblemata Nova (1618), which is represented in the Books On Books Collection by Daniel E. Kelm’s Möbius version Neo Emblemata Nova (2005).

Further Reading

Paulus Franck“. 22 March 2022. Books On Books Collection.

Richard Niessen“. 23 April 2021. Books On Books Collection.

Bry, Johann Theodor de. 1595. Nova Alphati[sic] Efficitio Historiis ad singulas literas correspondẽtibus, et toreumate Bryanæo artificiose in æs incisis illustrata: Versibus insuper Latinis et Rithmis Germanicis nõ omnino inconditis. Nejw[isc] Kunstliches Alphabet, gezirt mit schonen Figurn, deren Iede sich auff seinen Buchstaben accõmodirt; artlich jn Kupffergestochen, durch die Bryẽ, Auch mit Lateineschen[sic] Versen vnd teutschen Reimen lustig beschrieben. Fr[ancoforti]: ad Mo.e[num].

Caracters and Diversitie of Letters Vsed by Fivers Nations in the VVorld; the Antiquity, manifold vfe and varietie thereof; vvith Exemplary defcriptions of very many ftrang Alphabets. Curiously cutt in braffe by Iohn Theod: de Bry deceased, Franckfort on the Mayne. Printed by John Nicol: Stoltzenberger for William Fitzer (1628). Appears to be a reprint.

Bry, Theodore de, and Michael Alexander. 1976. Discovering the New World. London: London Editions.

Maier, Michael. 1618.  Atalanta Fugiens, hoc est, Emblemata Nova De Secretis Naturae Chymica: Accommodata partim oculis & intellectui, figuris cupro incisis, adiectisque sententiis, Epigrammatis & notis, partim auribus & recreationi animi plus minus 50 Fugis Musicalibus trium Vocum. Oppenheim: Johann Theodor de Bry.