Books On Books Collection – Wilber Schilling

Bartleby the Scrivener: A Story of Wall Street (1995)

Herman Melville, Bartleby the Scrivener: A Tale of Wall Street, 1853. Indulgence Press, 1995.
Type composed in 12 point Bulmer on the Monotype System and printed by Wilber Schilling on Arches MBM mould made paper at Janus Press. Calligraphy by Suzanne Moore. Ochre-coloured endpapers handmade by MacGregor & Vinzani.
Wilber Schilling created the frontispiece photo as a Kallitype print from a negative generated in Adobe Photoshop. The binding, also by Schilling, is cloth over sewn boards and, over the cloth, an embossed print of details from the frontispiece photo.
Edition of 100 of which this is #71. H320 x W158 x D14 mm. Acquired from Indulgence Press, 17 December 2015.

Further Reading

Adamson, Chris T. “Bartleby, the Scrivener: A Story of Wall Street, by Herman Melville, Indulgence Press (1995)”, Books and Vines, 11 August 2014. Accessed 14 January 2020.

Bookmarking Book Art – Wilber Schilling, 23 November 2015.

Books On Books Collection – Suzanne Moore

A Blind Alphabet (1986)

A Blind Alphabet (1986)
Suzanne Moore
34 pages, accordion-fold. Edition of 200 of which this is #91.
Calligraphic letters designed and drawn by Suzanne Moore, printed by Harold McGrath on T.H. Saunders cold-pressed watercolour paper, bound by Claudia Cohen in marbled paper by Faith Harrison. 
Closed H128 x W93 D28 (spine) D22 (fore-edge) mm; open 3200 mm.
Acquired from Veatchs, 1 May 2018.

Bartleby, The Scrivener: A Story of Wall Street (1995)

Herman Melville, Bartleby the Scrivener: A Tale of Wall Street, 1853. Indulgence Press, 1995.
Calligraphy by Suzanne Moore.
Type composed in 12 point Bulmer on the Monotype System and printed by Wilber Schilling on Arches MBM mould made paper at Janus Press. Ochre-coloured endpapers handmade by MacGregor & Vinzani.
Wilber Schilling created the frontispiece photo as a Kallitype print from a negative generated in Adobe Photoshop. The binding, also by Schilling, is cloth over sewn boards and, over the cloth, an embossed print of details from the frontispiece photo.
Edition of 100 of which this is #71. H320 x W158 x D14 mm. Acquired from Indulgence Press, 17 December 2015.

Wilber Schilling (Indulgence Press) designed and printed this edition of Herman Melville’s well-known story. Part of Schilling’s genius was to invite Suzanne Moore to provide the calligraphy for Bartleby’s hallmark (his only) words “I prefer not to”. Another part was to print Moore’s calligraphy in ever-increasing size in ghostly ochre and in descending position across the pages of the book.

Further Reading

Bookmarking Book Art – ABCs, 29 November 2015.

Bookmarking Book Art – Wilber Schilling, 23 November 2015.

Gwinn, Mary Ann. “Vashon artist among those who worked on handmade St. John’s Bible”. Seattle Times, 24 December 2014. Accessed 13 January 2020.

Hayden, Danielle. “Meet the Vashon Island Artist Keeping Lettering Alive”. Seattle Magazine, July 2018. Accessed 13 January 2020.

Yin, Joyce. “From the Collection: Thomas Ingmire, Susan Skarsgard, Suzanne Moore“. Letterforms Archive, 29 March 2018. Accessed 13 January 2020.