Books On Books Collection – Francesca Lohmann

An Alphabetical Accumulation (2017)

An Alphabetical Accumulation (2017)
Francesca Lohmann
Handpress printed and calligraphed book. H157 x W117 mm, 26 leaves + title + colophon. A black and red tray case, H171 x W128 mm. Edition of 36, of which this is #16. Acquired from The Veatchs, 11 June 2021.
Photos: Left, Books On Books Collection; Right, Courtesy of The Veatchs. All photos displayed with permission of the publisher.


Rollin Milroy of Heavenly Monkey, Francesca Lohmann and Claudia Cohen collaborated on this work of art. The alphabetical accumulation is the accumulation of 36 letter A’s entirely hand drawn in red, 25 calligraphed partial alphabets reproduced in black from polymer plates, and 900 pages in which the next letter in the sequence of the partial alphabet has been drawn in red. Each copy of the edition thus presents the full alphabet in original calligraphy across its pages. Printed and calligraphed only on the recto side, this is an alphabet that repays page by page attention. As each new letter arrives in red, all the previous ones and their accumulated foliage fall into black. Not every letter appears in capitals. The letters’ size, arrangement and ligatures shift as the alphabet accumulates.

The edition is also an accumulation of unusual production artistry. Those tapes exposed on the binding — a non-adhesive limp vellum, gold-tooled at the edges, with the title calligraphed in red on the spine — are strips from the old vellum manuscripts used as “paste”downs that are not pasted down. Three different papers — all printed damp at Heavenly Monkey on an Ostrander-Seymour handpress — are used: Crown & Sceptre, J. Whatman, and T.H. Saunders. Deckled leaves and trimmed leaves intermingle.

Fittingly the colophon is calligraphed and reproduced in black from a polymer plate, leaving space for the calligrapher to supply finishing strokes: the number and signature in red.

Further Reading

Abecedaries I (in progress)“. 31 March 2020. Books On Books Collection.

Heavenly Monkey“. 23 November 2020. Books On Books Collection. For a view of Francesco Griffo da Bologna: Fragments and Glimpses (2020).

Books On Books Collection – Suzanne Moore

A Blind Alphabet (1986)

A Blind Alphabet (1986)
Suzanne Moore
34 pages, accordion-fold. Edition of 200 of which this is #91.
Calligraphic letters designed and drawn by Suzanne Moore, printed by Harold McGrath on T.H. Saunders cold-pressed watercolour paper, bound by Claudia Cohen in marbled paper by Faith Harrison. 
Closed H128 x W93 D28 (spine) D22 (fore-edge) mm; open 3200 mm.
Acquired from Veatchs, 1 May 2018.

Bartleby, The Scrivener: A Story of Wall Street (1995)

Herman Melville, Bartleby the Scrivener: A Tale of Wall Street, 1853. Indulgence Press, 1995.
Calligraphy by Suzanne Moore.
Type composed in 12 point Bulmer on the Monotype System and printed by Wilber Schilling on Arches MBM mould made paper at Janus Press. Ochre-coloured endpapers handmade by MacGregor & Vinzani.
Wilber Schilling created the frontispiece photo as a Kallitype print from a negative generated in Adobe Photoshop. The binding, also by Schilling, is cloth over sewn boards and, over the cloth, an embossed print of details from the frontispiece photo.
Edition of 100 of which this is #71. H320 x W158 x D14 mm. Acquired from Indulgence Press, 17 December 2015.

Wilber Schilling (Indulgence Press) designed and printed this edition of Herman Melville’s well-known story. Part of Schilling’s genius was to invite Suzanne Moore to provide the calligraphy for Bartleby’s hallmark (his only) words “I prefer not to”. Another part was to print Moore’s calligraphy in ever-increasing size in ghostly ochre and in descending position across the pages of the book.

Further Reading

Bookmarking Book Art – ABCs, 29 November 2015.

Bookmarking Book Art – Wilber Schilling, 23 November 2015.

Gwinn, Mary Ann. “Vashon artist among those who worked on handmade St. John’s Bible”. Seattle Times, 24 December 2014. Accessed 13 January 2020.

Hayden, Danielle. “Meet the Vashon Island Artist Keeping Lettering Alive”. Seattle Magazine, July 2018. Accessed 13 January 2020.

Yin, Joyce. “From the Collection: Thomas Ingmire, Susan Skarsgard, Suzanne Moore“. Letterforms Archive, 29 March 2018. Accessed 13 January 2020.