Books On Books Collection – Paul Johnson

Paul Johnson’s book art has a childlike openness to delight, wonder, and joy. Those characteristics are signaled in his works’ titles — titles such as Suddenly from the centre of the universe came a symphony of light and The rivers of time carry the music of life down to the sea…. Below, the titles of two of his works in this collection also capture that exuberant spirit — The Sun Showers Symbols on the Earth and Morning Light Showing the World the Way. Some titles such as The Book Chair, Goldilocks & The Three Little Pigs, and The Pop-Up Unabridged History of the World, all also below, signal a quirkiness to be found in the works. And another vein of titles such as Ed Hutchins Studio, New York and Arthur Jaffe’s house, Florida reflects his works’ celebration of friendships, as demonstrated in the first work of Johnson’s to join this collection:

Paul Johnson’s Salem Village Panorama (2014)

Paul Johnson’s Salem Village Panorama (small version) (2014)
Paul Johnson
Pop-up double-sided leporello. H140 x W140 mm (closed), W974 mm (open). 8 panels. Limited edition (unknown quantity). Acquired from Ed Hutchins, 26 January 2022.
Photos: Books On Books Collection.

Johnson’s good friend Ed Hutchins organized the show at North Main Gallery in Salem, NY. The town historian chipped in with historical sources, and local artist Paula Beardell Krieg announced it here with excited anticipation.

Informational brochure about Paul Johnson, highlighting his work in book arts and literacy, featuring an illustration of 'Paul Johnson's Salem Village Panorama' and a photo of him holding books.

The next three works in the collection display Johnson’s penchant for unexpected and quirky explorations and that tell-tale characteristic of artists’ books: self-reflexivity.

The Pop-Up Unabridged History of the World (2008)


The Pop-Up Unabridged History of the World (2008)
Paul Johnson
Purple slipcase. Pop-up book. Slipcase: H86 x W65 mm. Book: H85 x W55 mm. [6] pages. Edition of 50, of which this is #12. Acquired from Collinge & Clark, 7 November 2024.
Photos: Books On Books Collection.

Again, title matters in Paul Johnson’s work. How can something so small, crafted from Hahnemuhle Aquarell, Johnson’s preferred paper, contain the unabridged history of the world?

A colorful pop-up book titled 'The Pop-up Unabridged History of the World' by Paul Johnson, displaying a unique design and text on its cover, with details about its 2008 edition and production.

On the very first page, we find we are in a world of fiction, not non-fiction, but is the book the main character is reading fiction or non-fiction? Either could be deepening her mind.

A pop-up book featuring a character holding a book, with colorful illustrations surrounding text that describes her experience of reading and exploring new thoughts with each paragraph.

With the turn to the next page, the world’s leaves and the act of folding become as inclusive as the book’s leaves and the act of reading.

And with the turn to the last pages, we have the book she has made: a book within a book within a book.

Open handmade book with colorful illustrations and handwritten text: 'Later, in the sanctuary of her room she took paper & in a moving field of folds made the unabridged history of the world in an evening.'

Goldilocks & the Three Little Pigs (2008)

Goldilocks & the Three Little Pigs (2008)
Paul Johnson
Purple slipcase. Vertical, laddered pop-up. 75 x 75 mm [4] pages. Edition of 100, of which this is #22. Acquired from Collinge & Clark, 7 November 2024.
Photos: Books On Books Collection.

Hijacking Goldilocks from her traditional story and the Three Little Pigs from theirs leads Johnson’s imagination in a more acerbic direction than in his other limited editions. His softer whimsy still comes through in his changing the usual time frame of “Once upon a time” to “Quite recently, in fact twenty minutes ago”, appropriate enough for the pace of modern life as is his giving the pop-up the shape of a make-up compact.

The Book Chair (2008)

The Book Chair (2008)
Paul Johnson
Blue fold-around slip with illustrated label. A pop-up chair with an origami book on the seat. H136 x W62 x D47 mm. Edition of 50 copies , of which this is #8. Acquired from Collinge & Clark, 17 July 2025.
Photos: Books On Books Collection.

The Book Chair repeats the book-within-a-book gambit from The Pop-up Unabridged History of the World. This time the miniature within the miniature, however, treats us to full text that delivers reflection on reflection on reflection. Is the chair the book’s chair, or is the book the chair’s book?

Steps to the Sea (2008)

Book cover of 'Steps to the Sea' by Paul Johnson, featuring a hand-drawn illustration of steps leading to the sea, with elements of nature surrounding it.

Steps to the Sea (2008)
Paul Johnson
Purple slipcase. A pop-out staircase attached to covering card. Slipcase: H76 x W57 x D18 mm. Card and pop-out: H75 x W59 x D12 mm (closed), H variable to 550 mm. Open edition. Acquired from Collinge & Clark 17 July 2025.
Photos: Books On Books Collection.

Steps to the Sea may be based on a garden in Seattle, but if you have ever visited San Francisco and descended Lombard Street or the Filbert Steps, Johnson’s vertical pop-up will recall your vertigo for you.

Wrapped in multicolored ribbon, the next two works in the collection — The Sun Showers Symbols on the Earth and Morning Light Showing the World the Way — arrive like gifts.

The Sun Showers Symbols on the Earth (1988)

A colorful pop-up book featuring a vibrant three-dimensional landscape with abstract shapes and patterns, showcasing various layers of artistic design in a kaleidoscope of colors.

The Sun Showers Symbols on the Earth (1988)
Paul Johnson
Notched slipcase with multicolor inked ribbons. Single sculpture pop-up book. Slipcase: H330 x W256 x D28 mm. Book: H319 x W249 x D25 mm (closed); W515 x D340 mm (open). Unique. Acquired from Potter & Potter Auctions, 9 Jul 2026.
Photos: Books On Books Collection.

Compared with the later works above, The Sun Showers Symbols on the Earth is brighter and more abstract. Still later works, though, such as Serenade to Chaucer (2018), an abridgement of “The Miller’s Tale”, and Dies Natalis (2023), inspired by a cantata for voice and strings composed by Gerald Finzi (1901-56), inspired in turn by several poems by Thomas Traherne (1636-74), deploy colors just as bright. Both of those later works are considerably larger than the two shown here. The use of industrial fabric dyes seems to correlate with the size of the unique works, whereas watercolor correlates with the smaller limited edition works.

A vibrant pop-up book with intricate paper art, featuring an explosion of colors and layered designs, set against a colorful background.

View from left side. View from right side.

View of lower edge.

View of left and right sides from above and behind.

A close-up view of an intricate, colorful paper sculpture featuring vibrant patterns and textures. The artwork includes layered, cut-out designs with a mix of bright colors like red, yellow, blue, and green, creating a dynamic visual composition.

Detail at left edge.

A decorative folder or binder featuring a colorful design with red, blue, and turquoise floral patterns on a white background, adorned with paint splatters.

Front and back covers.

Morning Light Showing the World the Way (1988)

A colorful pop-up book page featuring a vibrant, intricately designed ship with layered sails, set against a bright abstract background.

Morning Light Showing the World the Way (1988)
Paul Johnson
Notched slipcase with multicolor inked ribbons. Single sculpture pop-up book. Slipcase: H330 x W256 x D28 mm. Book: H319 x W250 x D25 mm (closed); W515 x D340 mm (open). Unique. Acquired from Potter & Potter Auctions, 9 Jul 2026.
Photos: Books On Books Collection.

Johnson’s website refers to the stained glass windows of Norwich, where he grew up, as an influence on his work. In their titles, colors, and construction, The Sun Showers Symbols on the Earth and Morning Light Showing the World the Way fully bear this out. Their cascading tiers also bear out another influence: Hokusai (think of The Great Wave of Kanagawa).

A colorful pop-up book featuring intricate paper designs with vivid patterns and textures. The artwork includes bright hues of red, blue, yellow, and white, creating a visually striking three-dimensional effect.
A colorful pop-up book with intricate paper structures featuring vibrant designs and patterns.

View from above and behind.

Left side. Right side.

Abstract artwork featuring vibrant colors and dynamic shapes, with text that reads 'MORNING LIGHT SHOWING THE WORLD THE WAY...' and signed by Paul Johnson with the date '88'.

Detail of lower right.

A vibrant abstract artwork featuring swirling patterns and bright colors, including red, yellow, green, blue, and white. The design consists of curved lines and splashes, creating a dynamic and energetic composition.

Front cover.

The slipcasing of The Sun Showers Symbols on the Earth and Morning Light Showing the World the Way capture another characteristic of Paul Johnson’s work and the man himself — a giving nature — which foreshadows the monumental Dies Natalis, his gift to the Bodleian Libraries in 2023.

Dies Natalis (2023)

Dies Natalis (2023)
Paul Johnson
A gift from the artist, Dies Natalis resides at the Bodleian Libraries.
Photos: Books On Books at the Bodleian exhibition Gifts and Books, curated by Dr. Nicholas Perkins, 19 June 2023 – 29 October 2023.

A birthday gift from the deity becomes a gift from the artist.

Further Reading

Movables Now and Then“. 31 August 2024. Bookmarking Book Art. For background reading on movables.

Květa Pacovská“. 19 July 2023. Books On Books Collection. For comparably colorful pop-ups.

Chen, Julie. 2013. 500 Handmade Books. Volume 2. New York: Lark. P. 26, for Johnson’s We Waited with Eyes Lifted (2012).

Books On Books Collection – Sarah Maker

Within Every Room There is an Echo of the First (2018)

Within Every Room There is an Echo of the First (2018)
Sarah Maker
Diagonally halved box, painted-paper over millboard, paste paper. H65 x W65 x D65 (closed) mm, W730 (extended diagonally) mm. [45] panels Unique. Acquired from Ink and Awl, Seattle, US, 10 December 2025.
Photos: Books On Books Collection. Displayed with permission of the artist.

This small sculptural artist’s book that enacts its title is an engineered accordion with architectural pencil drawings on paste paper. Every aspect is remarkable. The millboard “cover” is a diagonally halved cube that forms the “corner” of the room from which its echoes will unfold. The accordion spine consists of folded tabs into which the pages are pasted. The pages have been shaped so that as the book is opened (the top page being pulled by its tab), they curve against each other like artichoke leaves and then spread as the angled spine pleats push them outwards.

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Books On Books Collection – Carol Barton

Land Forms and Air Currents (2014)

Land Forms and Air Currents (2014)
Carol Barton
Leporello (with 11 pop-ups) fixed to inside cover of case, cloth over board, debossed with fitted, pastedown artwork on front cover and spine. Cover: H292 x W192 x D50 mm. Leporello: H275 x W175 mm. 37 panels. Edition of 25, of which this is #21. Acquired from the artist, 27 October 2023.
Photos: Books On Books Collection. Displayed with artist’s permission.

Carol Barton’s reputation for paper-engineering, supported by her well-received multi-volume The Pocket Paper Engineer, should not overshadow appreciation of her talents with watercolor and words. With its poems of free verse, scanned watercolors and pop-up structures all by the same author/artist, Land Forms and Air Currents (2014) qualifies as a champion of the Blakean tradition in artists’ books.

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Books On Books Collection – Borje Svensson & James Diaz

Letters (1982)

Letters (1982)
Borje Svensson and James Diaz
Book in a box. H61 x W61 X D61 cm, 18 accordion panels and diorama. Collins © 1982, Borje Svensson.
Photos of the work: Books On Books Collection.

Animals (1982)

Animals (1982)
Borje Svensson and James Diaz Letters (1982)
Book in a box. H61 x W61 X D61, 18 accordion panels and diorama. Collins © 1982, Borje Svensson
Photos of the work: Books On Books Collection.

Given the effectiveness of Svensson and Diaz’s Letters alphabet book-in-a-box effort, it is surprising that they did not follow up the alphabetical theme from Animals, especially since animals have made up the most popular category of alphabet books for centuries. Another 24 or 25 books in boxes beckon. Alphabetical cubes of birds, cats, dogs and the zemmi! And what about the ampersand? And what different paper artistry might Diaz have performed if requested to fill out the series with further innovation? Consider Claire Van Vliet’s alphabetical Tumbling Blocks for Pris and Bruce (1996), Helen Hiebert’s Alpha Beta (2010) and Karen Hanmer’s The Spectrum A to Z.

Before its acquisition by Harpers in 1985, William Collins & Sons settled on the less risky venture of four books in boxes: Animals, Letters, Numbers and Colors. First with Elgin Davis Studios, James Diaz was the paper engineer behind all four and later joined David A. Carter (see his tribute to Bruno Munari here) to produce The Elements of Pop Up: A Pop Up Book for Aspiring Paper Engineers (1999), still used as a primary textbook.

Of course, B. S. Johnson and Marc Saporta pioneered boxes containing loose pages or leaves to be read in any order, but to find contemporary books in boxes where the box is not just a storage mechanism but functionally integrated, we have to look to Ed Hutchins, Sue Johnson and Hedi Kyle among others.

More celebrations of the alphabet and book as “total expansion of the letter” to come.

Bookmarking Book Art – Ed Hutchins

Book Dynamics! (2009)
Ed Hutchins

Ed’s books are a delight: witty and/or thoughtful ideas cleverly presented in unusual structures. Ed is a great believer in designing the form to suit the content, so no two books are alike. Some basic forms re-occur, but there are tweaks to the basic structures that individualize them for each version.

Miller’s review in Byopia Press is also a delight, providing multiple links and routes to information about Ed Hutchins as well as to other reviews of his work. Below are images of the catalog for Stand & Deliver, curated by Hutchins in 2003.

Engineered by Kyle Olmon and designed by John DiLorenzo, the catalog demonstrates great inventiveness in the pop-up structure and mechanism that nudges the two booklets from the left and right sleeves as the catalog is opened. Note also the use of colors to demarcate its sections that follow the themes Hutchins used to organize this exhibition: Intriguing Shapes, Revealing Folds, Uplifting Pages. And note the distinctive and subtle shifting placement of colors in the right-hand booklet: at the top on the orange page, a white bar that shifts to the right on the green page as an orange bar marks the end of the previous section on the facing verso page.  For an exhibition that traveled to five different locations, a more appropriately and intricately mobile catalog could hardly have been devised.

Design, Construct, Engage (2002)

Design, Construct, Engage (2002) Booklet-poster-catalogue in meander cut and fold. Closed: H220 x W140 mm. Acquired from Ed Hutchins, 26 January 2022.

Ephemera (1996 – 2003)

Flights of Fancy (1996) Envelope with tab, trifold, center-cut single sheet forming booklet H145 x W116 mm. Acquired from Ed Hutchins, 20 May 2014.

Gadzooks, Pages Alive (2002) Velcro-fastened trifold cover glued to 18 pages, fixed spinner inside cover. 107 x107 mm. [18] pages. Acquired from Ed Hutchins, 20 May 2014.

The Unfolding Nature of Books (1993) Envelope with tab, trifold, with split Turkish map in center. Self-enclosing evelope with split Turkish map construction exhibition list in center Closed: 85 x 85 mm. Acquired from Ed Hutchins, 20 May 2014.

Thinking Editions (1999) Accordion fold booklet with 16-page gathering saddle-stitched with single staple to first fold, four panels of accordion slit to receive four cards to create 8 interleaved pages, final panel has pocket holding 3 color postcards. H155 x W110. 28 pages. Acquired from Ed Hutchins, 20 May 2014.

Thinking Editions card (1999) Four-card construction displaying 7 views. 126 x 126 mm. Acquired from Ed Hutchins, 20 May 2014.

Call for Entries, Stand & Deliver (2002/3) Pop-up invitation with entry cards. Acquired from Ed Hutchins, 20 May 2014.