Books On Books Collection – Teo Eve

The Ox House (2022)

The Ox House (2022)
Teo Eve
Perfect-bound paperback. H210 x W148 mm. 68 pages. Acquired from Penteract Press, 6 August 2022.
Photos: Emilia Osztafi.* Displayed with permission of the publisher.

A love letter to the letters of the alphabet, Teo Eve’s debut collection The Ox House contains an eclectic array of constraint-based poems, innovative forms, and concrete & visual works. At once homage to the intricate hieroglyphs used in Ancient Egypt & the beautifully illuminated capital forms of Medieval manuscripts, and an exploration into the possibilities of new ways of playing with letters’ shapes & sounds, The Ox House harks back to a time when words were magic, and language was new. — Publisher’s description.

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Books On Books Collection – Lily Markiewicz

The Price of Words, Places to Remember 1−26 (1992)

The Price of Words, Places to Remember 1-26 (1992) 
Lily Markiewicz
Perfect bound paperback with deep cover flaps. H200 x W155 mm, 60 pages. Acquired from Bookworks, 11 July 2022.
Photos: Books On Books Collection and Emilia Osztafi*. Displayed with artist’s permission.

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Books On Books Collection – Karen Green

Here/Gone (2008)

Here/Gone: An ABC Flip Book for Grown Ups (2008)
Karen Green
Perfect bound, invertible flipbook. 215 x 215 mm. [56] pages. Acquired from AbeBooks, 14 March 2019.
Photos: Emilia Osztafi*. Displayed with the author/artist’s permission.

here/gone is a story of two parts, the arrival of love and its departure. “Zipping and unzipping the alphabet in a narrative of love and unlove” as the Spineless Books website describes it, here/gone tells its story with mixed media paintings and minimal text across the right hand pages of its invertible flip book structure, each page’s text beginning with a letter of the alphabet. The flipping pages of here enact love’s zipping together two characters, the flipping pages of gone enact “unlove’s” unzipping them apart.

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Books On Books Collection – from Barbara J. Raheb’s collection

Picture ABC (n.d.)

Picture ABC (No date, no artist)
Miniature bound leoporello. Closed: H19 xW13 mm. 26 panels. Acquired from Lorson’s Books, 5 December 2022.
Photos: Books On Books Collection.

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Books On Books Collection – Ellen Lanyon

Transformations I: 1973-74 (1977)

Transformations I: 1973-74 (1977)
Ellen Lanyon
Leporello with board covers. 174 x 115 mm. [24] pages. Acquired from Specific Object, February 2024.
© The Ellen Lanyon Estate, courtesy GRAY, Chicago/New York.
Photos: Books On Books Collection. Displayed with permission of artist’s estate.

Transformations is a book as drawing. Across 24 panels of this accordion-fold book, Ellen Lanyon develops a surreal graphical fantasia from a single image.

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Books On Books Collection – Jan Voss

In a video prepared for the Virtual Tokyo Art Book Fair in 2020, Jan Voss speaks of getting artists’ book viewers into a state of mind where they allow themselves to be surprised (9’14”). His artist’s book Detour (1989) does just that.

Detour (1989)

Detour 1989
Jan Voss
Open sleeve slipcase, softcover side-sewn and glued bifolios. 180 pages. Edition of 1000, of which this #568, signed and dated in pencil by the artist on the last page. Acquired from Antiquariat Uhlmann (Zürich, Switzerland), 10 April 2024.
Photos: Books On Books Collection. Displayed with the artist’s permission.

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Books On Books Collection – Kurt Schwitters

Die Scheuche Märchen (1925/1965)

Die Scheuche Märchen (1925, 1965) [The Scare-Crow Fairy Tale]
Kurt Schwitters, Kate Steinitz and Theo van Doesberg. English translation by Robert Haas (enclosed, loose).
Miniature reprint of the 1925 edition. H123 x W154 mm. 12 pages. Acquired from Plain Tales Books, 12 July 2023.
Photos: Books On Books Collection.

The Schwitters-Steinitz Collection held at the National Gallery of Art Library identifies this work as a miniature reprint published in 1965 by Stockholm’s Gallery Samlaaren, owned by Agnes Widlund. The original, measuring H250 x W210 and also in red and blue on light brown paper, was published by Kurt Schwitters, Kate Steinitz and Theo van Doesberg under the imprint APOSS, which is a nonsense word, derived from “A for Active; P for Paradox; OS for Oppose Sentiment; and S for Sensitive” (Paley, p. 267). There have been several other editions, but this one is particularly satisfying for its inclusion of the loose typewritten translation by Robert Haas, who also translated Steinitz’s memoir/biography of Schwitters.

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Books On Books Collection – Jana Sim

Both but Between (2021)

Both but Between (2021)
Jana Sim
Cloth-covered boards, exposed binding. H149 x W114 5.8 mm. 17 handmade paper leaves; 16 OHP film leaves. Edition of 27, of which this is #14. Acquired from Vamp&Tramp, 15 July 2022.
Photos: Jana Sim (above) and Books On Books Collection (below). Displayed with artist’s permission.

Both but between is a bilingual abecedary. If punning in a foreign language indicates successful mastery of a non-native tongue, punning in that language and doing so materially with an artist’s book must indicate an altogether higher level and higher kind of mastery. Jana Sim demonstrates such mastery with an extraordinary use of letterpress printing and laser printing to underscore the “both but between” metaphor of her bicultural experience in this bilingual abecedary.

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Books On Books Collection – Ruth Fine

Summer Day | Winter Night (1994)

Summer Day | Winter Night (1994)
Ruth Fine
Papered slipcase with title printed on spine, enclosing a double-sided leporello. Slipcase, H190 x W110 x D20 mm; Leporello (extended), H185 x W1888 mm. [16] panels per side. Edition of 150, of which this is #56. Acquired from Weinrich Books, 12 June 2024.
Photos: Books On Books Collection. Displayed with permission of the artist.

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Books On Books Collection – “Books on Books” edited by Jérôme Saint-Loubert Bié

Artists ‘ book s are often self-conscious about the elements of book structure. This can involve self-reflexive humor or serious philosophical interrogations of a book’s identity. Disturbing conventions of reading by calling attention to these structures is often a feature of artists ‘ books through an emphasis on the features of the page and pointing to the book as a whole. But a book can also be a self-conscious record of its own production – it can simply examine itself as a proposition – one laden with specific ideas about the ways a book can embody an idea through its material forms. There are really two subtexts here. One is the “idea of the book as Idea” – the self-reflexive creation of books · which are about being books, or what a book can be as an idea in form. The other is the “idea of the book as art idea” – which takes these investigations of the book into a dialogue with the concept of art, and shows that books are an art idea. — Drucker, 2004.

Books on Books (2011)

Books on Books (2011)
Jérôme Saint-Loubert Bié, Yann Sérandour & Jonathan Monk
Perfect bound paperback. H160 x W115. 260 pages. Acquired from Chapitre.com, 29 November 2023.
Photos: Books On Books Collection.

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