Books On Books Collection – Marie Dern

William Caslon’s Typographic ABC (1991)

William Caslon’s Typographic ABC (1991)
Marie Dern
Double-sided leporello. H11 x W14 mm. 28 panels. Edition of 55, of which this is #1. Acquired from Bromer’s, 5 February 2023.
Photos: Books On Books Collection.

One of the most common precursors to the codex, the leporello, accordion or concertina structure suits this celebration of what is considered the first original English typeface, designed by William Caslon (1692–1766), used to set both the Declaration of Independence and the U.S. Constitution, and so dominant a font since the 18th century that it prompted its own dicta: “When in doubt, use Caslon”. In Marie Dern’s hands, though, the accordion structure is anything but common. Rather than zigzag folding a long strip of paper, she has attached her panels to two parallel strips of linen tape and left just enough space between the pairs of panels to have the hinged leporello fold down into a precise oblong shape.

Caslon has featured in such outstanding books as Oliver Byrne’s The First Six Books of the Elements of Euclid: In Which Coloured Diagrams and Symbols Are Used Instead of Letters (1847), nearly an artist’s book in its own right. Dern might have been more immediately inspired, however, by Chris Van Allsburg’s whimsical children’s book The Z was Zapped: A Play in Twenty-six Acts, Performed by the Caslon Players (1987). From the start, bending the alphabet full circle to the ampersand, Dern’s own whimsy extends beyond the letters themselves.

L: from Byrne’s The First Six Books. Typeroom, 23 January 2020. Accessed 8 March 2023.
R: from Van Allsburg’s The Z was Zapped. Photo: Books On Books Collection.

Given its age and dignity, Caslon attracted a fair amount of rock throwing from designers (especially in the 20th century). While Dern may have her own whimsical fun with Caslon, she doesn’t let the rock-throwers off scot free. Her Caslon’s G puts Frederic Goudy on notice that size does matter, and the Caslon S reminds Eric Gill of the emperor’s new clothes.

Other alphabetical typeface celebrations in the Books On Books Collection include Nicolas McDowall’s A Bodoni Charade (1995), Roberto de Vicq de Cumptich’s Bembo’s Zoo (2000) and Sharon Werner & Sharon Forss’ Alphabeasties and Other Amazing Types (2009).

Further Reading

Abecedaries I (in progress)“. Books On Books Collection.

Roberto de Vicq de Cumptich“. 12 February 2021. Books On Books Collection.

Sharon Werner & Sharon Forss“. 20 December 2022. Books On Books Collection.

Nicolas McDowall”. 10 December 2022. Books On Books Collection.

Nicholas Rougeux“. 19 November 2022. Books On Books Collection.

Chris Van Allsburg“. 12 December 2022. Books On Books Collection.

Byrne, Oliver, and William Pickering. 1847. The First Six Books of the Elements of Euclid: In Which Coloured Diagrams and Symbols Are Used Instead of Letters. London: W. Pickering.

Morison Stanley. 1997. Letter Forms : Typographic and Scriptorial : Two Essays on Their Classification History and Bibliography. Point Roberts WA: Hartley & Marks. See pp. 27-28 for the first stones cast in 1937.

Morison, Stanley. 1999. A Tally of Types New ed. [3rd ed.] ed. Boston: D.R. Godine. Caslon is not even included in Morison’s “tally” of seventeen typefaces. It appears on pages 24-27 in his introduction “revised & amplified” by Phyllis M. Handover. Even there they enlist Bruce Rogers, Emery Walker and William Morris to chuck additional rocks in Caslon’s direction on pages 37-38.

Books On Books Collection – Sharon Werner & Sharon Forss

Alphabeasties and Other Amazing Types (2009)

Alphabeasties and Other Amazing Types (2009)
Sharon Werner & Sharon Forss
Hardcover. H300 xW mm, 56 pages. Acquired from Golden Waves of Books, 7 August 2021.
Photos: Books On Books Collection.

Unlike Roberto de Vicq de Cumptich’s Bembo’s Zoo (2000), this book relies on numerous type faces with which to create its alphabeasties, posed above the book’s illustratively shaped chiron that also provides the running information about “other amazing types”. Information is also conveyed from under flaps, through cutouts, across foldouts and by background images constructed of words.

Further Reading

Abecedaries I (in progress)“. Books On Books Collection.

Roberto de Vicq de Cumptich‘”. 12 February 2021. Books On Books Collection.

Books On Books Collection – Martín Gubbins

Alfabeto (2017)

Alfabeto (2017)
Martín Gubbins
Hardback. 180 x 180 mm. 60 pages. Acquired from Naranja Publicaciones, 28 July 2022.
Photos: Books On Books Collection.

Each letter of the Spanish alphabet is printed in sans serif across a full page to create a grid-like or plaid-like pattern. All letters are printed once in black on white paper and twice in white on black paper; with sheets facing one another. For the English-speaking reader, that’s a bonus of two pages for the ñ.

Held at normal reading length, the double-page spreads do have a plaid effect, but inspected closely, the effect becomes that of wire mesh from which the letters leap out from the less tightly woven spots.

Unsurprisingly the plaids are as distinct from, and similar to, one another as letter shapes are. Sometimes, as with the letter b, an illusion of three dimensionality takes hold.

The most surprising — though they should not be — are the letters i and l. With no crossbar, bowl or curve, they cannot create a plaid pattern. Rather, their black on white, white on black patterns look like barcodes.

Gubbins One of the founding members of the Foro de Escritores ( Chilean version of Bob Cobbing’s Writers Forum in London, and noted figure in the avant-garde poetry scene in Latin America. Gubbins has collaborated with the American poet and artist John M. Bennett, in whose honor

Some visual artists call this kind of work a “tapuscript“. Some throw it together under the heading of language art or concrete or visual poetry. Karl Kempton prefers the term “visual text art” over any other. Conceding the term to cover the broad genre, works like Alfabeto that cover the entire alphabet in sequence — or even play with its sequence — might deserve the sub generic term “visual alphabet art”. Kempton himself, Roberto de Vicq de Cumptich, Raffaella della Olga, Sharon Werner & Sharon Forss — as well as many of the artists in Victoria Bean and Chris McCabe’s anthology and those in Philip Davenport’s — surely provide a sufficient number of examples.

Further Reading

Bean, Victoria, and Chris McCabe. 2016. The new concrete: visual poetry in the 21st century. London: Hayward Publishing.

Davenport, Philip. 2013. The dark would: anthology of language art. Manchester-Berlin: Apple Pie Editions.

Kempton, Karl. 2018. A History of Visual Text Art. Manchester-Berlin: Apple Pie Editions. Accessed 15 December 2020.

Olga, Raffaella della“. Books On Books Collection. For “tapuscript”.