Books On Books Collection – Helen Yentus

On Such a Full Sea (2013)

On Such a Full Sea (2013)
Chang-rae Lee
Jacket and slipcase design
Helen Yentus
Book in slipcase. H23o x W150 mm; slipcase only, W110 mm. 368 pages. Edition of 500, of which this is #178. Acquired 1 October 2018.
Photo: Riverhead Books and AIGA.

Riverhead art director Helen Yentus and members of the MakerBot team designed this slipcase for Lee’s novel. An edition of 500, made with the MakerBot® Replicator® 2 Desktop 3D Printer with MakerBot PLA filament, a bioplastic made of corn and fabricated by MakerBot in Brooklyn, New York, appeared in 2013 just before the trade edition in 2014.

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Books On Books – Marlene MacCallum (II)

Marlene MacCallum’s latest artist’s books remind me of Claude Monet’s two series of paintings of the Rouen Cathedral’s façade and a field of haystacks. The series were influenced by Japanese ukiyo-e prints (“pictures of the floating world”). Rather than changing vantage points on Mt. Fuji, Monet used one perspective on one façade and sought to capture the instants of light and atmosphere on its surface at several different hours of the day. He rendered his vision of them with thick layers of paint, brushstrokes, and colors. MacCallum, too, has chosen a fixed-viewpoint: in her case, of Lake Ontario. She, too, follows different hours and, also, different seasons as Monet did with his haystacks. She, however, renders her vision with an intricate verbal-visual dance of metaphor, book structure, registration, photographic filters, print technique and paper.

sleep walk (2023)

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Books On Books Collection – Katsumi Komagata (II)

The Paris-based publishers Les Trois Ourses announced that Katsumi Komagata died on 29 March 2024. Although the Bologna Children’s Book Fair responded quickly with a memorial on 8 April, it is strange that no significant obituary has yet appeared for such a major figure in the book arts, children’s books and artists’ books. Fortunately there is extensive biographical information on the site of his publishing firm One Stroke.

Piece of Mind (2022), one of his last limited edition works, becomes all the more treasured.

Piece of Mind (2022)
Katsumi Komagata
Casebound, card around perfect bound block of lighter card stock. H300 x W196 mm. [30] pages. Edition of 100, of which this #67. Acquired from One Stroke, 7 August 2023.
Photos: Books On Books Collection.

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Books On Books Collection – Helen Siegl

Herball from The Dialogues of Creatures Moralised Applicable and edifying to every merry and jocund matter, and right profitable to the governance of men. [Ascribed to Nicolaus Pergamenus and Mayno de’ Mayneri. First printed in Latin by Gerard Leeu in Gouda in 1480 & in English in 1535.] (1979)
Helen Siegl
Hardcover in mustard colored cloth with a paper label to the spine; with 11 woodcut illustrations hand-colored by Helen Siegl. HxW mm. [24] pages. Edition of 150, of which this is #56. Acquired from Black Swan Books, 20 July 2024.
Photos: Books On Books Collection.

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Books On Books Collection – Jane Cradock-Watson

Ebb and Flow (2023)

Ebb and Flow (2023)
Jane Cradock-Watson
Concertina book with cloth hard bound covers. H155 x W27 mm (closed), W680 mm (open). 64 panels. Edition of 20. Acquired from the artist, 21 January 2024.
Photos: Books On Books Collection. Displayed with artist’s permission.

An exploration, both visually and physically, the ‘edge’ of the sea where it meets the land, with its continuous ebb and flow of the breaking waves, rhythmically rolling back and forth onto the sand. (Artist’s description)

With the binding and her photography in Ebb and Flow, Jane Cradock-Watson has sculpted and painted the sea’s edge. Four digital photographs printed on Zerkal paper have been spliced together between two cloth-covered boards. The flexibility and extent of the concertinaed paper create an undulating structure that turns seascape stills into mesmerising cinema.

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Books On Books Collection – Jana Sim

Both but Between (2021)

Both but Between (2021)
Jana Sim
Cloth-covered boards, exposed binding. H149 x W114 5.8 mm. 17 handmade paper leaves; 16 OHP film leaves. Edition of 27, of which this is #14. Acquired from Vamp&Tramp, 15 July 2022.
Photos: Jana Sim (above) and Books On Books Collection (below). Displayed with artist’s permission.

Both but between is a bilingual abecedary. If punning in a foreign language indicates successful mastery of a non-native tongue, punning in that language and doing so materially with an artist’s book must indicate an altogether higher level and higher kind of mastery. Jana Sim demonstrates such mastery with an extraordinary use of letterpress printing and laser printing to underscore the “both but between” metaphor of her bicultural experience in this bilingual abecedary.

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Books On Books Collection – Ruth Fine

Summer Day | Winter Night (1994)

Summer Day | Winter Night (1994)
Ruth Fine
Papered slipcase with title printed on spine, enclosing a double-sided leporello. Slipcase, H190 x W110 x D20 mm; Leporello (extended), H185 x W1888 mm. [16] panels per side. Edition of 150, of which this is #56. Acquired from Weinrich Books, 12 June 2024.
Photos: Books On Books Collection. Displayed with permission of the artist.

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Books On Books Collection – Judy Fairclough Sgantas

ABC of Bugs and Plants in a Northern Garden (2012)

ABC of Bugs and Plants in a Northern Garden (2012)
Judy Fairclough Sgantas and Claire Van Vliet
Clamshell box, softcover, open spine, paper-tab-sewn binding. Box: H188 x W192 x D65 mm. Book: H167 x W171 x D35 mm. 27 f&gs, 1 folded pastedown at end. Edition of 120, of which this is #45. Acquired from Vamp & Tramp, 15 September 2023.
Photos: Books On Books Collection. Displayed with artists’ permission.

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Books On Books Collection – Inscription: The Journal of Material Text, Issue 4 on Touch

Inscription: The Journal of Material Text, Issue 4 on Touch
Simon Morris, Gill Partington and Adam Smyth (eds.)
Cased perfect bound paperback, printed paper cover. 313 x 313 mm. 120 pages. ISSN: 2634-7210. Acquired from Information as Material, 29 November 2023.
Photos: Books On Books Collection.

Different readers will come to different conclusions on whether Inscription #4 dedicated to the subject of touch evokes the level of tactility in Melville’s famous Chapter 94 “A Squeeze of the Hand”. But all can agree that they share a certain seminality. Like Herman Melville with his preliminaries to Moby Dick, the editors of Inscription lead their fourth issue with definitions and choice quotations on the subject of “touch”, as much a Leviathan subject as that of Melville’s novel. Where Melville merged scholarly apparatus with narrative fiction to create a novel literary work, Simon Morris, Gill Partington and Adam Smyth have merged photography, poetry, augmented reality and audio with academic and critical essays to create a novel form of scholarship.

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Books On Books Collection – Inscription: The Journal of Material Text, Issue 3 on Folds

Now here’s a rare thing — a journal issue that requires a video to show the reader h0w to open it.

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