Books On Books Collection – Ron King

The Burning of the Books (2009)

The Burning of the Books (2009)
George Szirtes (poems) and Ron King (prints)
Slipcase with sewn hardback, duotone letterpress reproduction of the 2008 artist book version. H220 x W160 mm, 66 unnumbered pages. Edition of 1000, the first 100 signed and numbered by the author and artist and presented in a specially designed slipcase. Acquired from the artist, 28 January 2021. Photos of the work: Books On Books Collection.

The Burning of the Books is the harshest of Ron King’s work in the Books On Books Collection. According to the artist, this work’s genesis was his long fascination with Elias Canetti’s Auto da Fe (1946). King commissioned Szirtes to respond to Canetti’s work with a text to accompany the etchings that King had been holding in abeyance. The result in 2008 was a large format artist book, of which this work is a reproduction.

With its photo-collages of a Guernica-like fold-out, newspaper clippings of shamed collaborators, fists and human limbs, The Burning of the Books delivers a visual indictment of the 20th century that creeps into the 21st century with the added images of celebrity police ID photos and Euro currency notes. Szirtes’ take on King’s take on Canetti’s take on his main character’s solipsistic slip from obsession into madness in a world of alienating -isms is the work of art with which we — sadly, more than a decade later — keep catching up.

This work’s fascination with horrors may have its roots in a childhood experience in Brazil — seeing a photograph of a bandit gang’s mass beheading — but, more often than not, King’s works emphasize a humor in blackness (as does this work in its recurrent image of Mr. Punch-like figures). Most often, though, a sheer joy of making and material prevails.

alphabeta concertina miniscule (2007)

alphabeta concertina miniscule (2007)
Ron King
Printed, cut and creased onto Heritage paper and glued to Heritage Museum board. H170 x W110 x D30 mm,stretching to 3 meters. Edition of 600. Acquired from Sophie Schneideman Rare Books and Prints, 27 November 2020. Photos: Books On Books Collection.

The “abc” series displays the restrained, minimalist side of King’s inventiveness. With more than one of these works to hand, his enjoyment and humor come through — especially in the subtle and not-so-subtle variations. Take alphabeta concertina miniscule as an example. It arrived like a long awaited chuckle after the majuscule version — Alphabeta Concertina (1983) — which had been expanded into the poster versions Alphabet I and Alphabet II (below). Size and surprise seem to matter in King’s sense of humor. For size, see the large-scale steel version of the alphabet in 2016. For surprise, consider his catalogue raisonné Cooking the Books.

Cooking the Books (2002)

Cooking the Books: Ron King and the Circle Press (2002)
Ron King, Andrew Lambirth
Paperback with end flaps, sewn with headbands. Pop-up and metallic paper inserts. H225 x W165 x D20 mm, 180 pages. Acquired from the artist, 24 December 2020. Photo: Books On Books Collection.

King’s catalogue raisonné does not merely illustrate his work, it illustrates it. Inserts of mirror paper, wax paper and a pop-up letter E transform what appears to be a simple codex into a treasure chest.

Alphabet II (1999)

Alphabet II (1999)
Ron King
Pop-up poster. H760 x W500 mm. The letters have been cut onto a 190lb Waterford paper and mounted onto a heavier version of the same stock. Edition of 200 signed. Acquired from Circle Press, 26 June 2015. Photo of Cooking the Books, p. 101: Books On Books Collection.

The collection’s framed poster interferes with photography, but Cooking the Books provides the alternative.

Matisse’s Model (1996)

Matisse’s Model (1996)
Ron King
An edition of 50 signed book-works made by the same process as Acrobats. 23 x 17 cm with mirror-foil, sprayed pages, and a removable freestanding figure in collaged cardboard box.

The sculptural element toward which King’s work has always turned is on display in the title and forms of Matisse’s Model. The mirror paper appears as it must for any attractive model.

The Looking Book (1996)

The Looking Book: A Pocket History of Circle Press, 1967-96 (1996)
Cathy Courtney
Casebound in wire print paper. H160 x W120 xD20 mm Edition of 1000, of which this #67 and initialled by Ron King. Acquired from Peter J. Hadley Bookseller ABA ILAB, 25 June 2015. Photos: Books On Books Collection

Pop-up insert of “Scenes from the Alphabet” by Roy Fisher. Photo: Books On Books Collection.

As with Cooking the Books, this catalogue raisonné, prepared by Cathy Courtney, provides samples of the artist’s work. They appear in the wire debossed cover and this centrepiece of “Scenes from the Alphabet” done with Roy Fisher, which led to a full-scale alphabet book at Fisher’s suggestion.

Turn Over Darling (1994)

Turn Over Darling (1994)
Ron King
Slipcase (H204 x W153 x D28 mm) containing a light brown paper portfolio (H195 x W150 x D24) into which are hand-sewn six sheets (H190 x W282) of J. Green RWS hand-made paper, folded in half, bearing embossed and debossed images of a female figure. A signed copy from the limited edition of seventy five. Acquired from the artist, 1 December 2020. Photos: Books On Books Collection, displayed with artist’s permission.

The six embossed and debossed drawings were created from wire forms pressed into dampened sheets of paper. Turn Over Darling elegantly combines King’s sculptural skills with his printer’s skills. When folded and juxtaposed in sequence, they make for eleven reclining female nude images that change position from front to back view as the pages turn. Determining the folds and sequence is a form of imposition, although quite different from the usual imposition for a single sheet with twelve pages on either side as shown below. Again, here is a work that evokes a joy in the material and in its handling.

JBG 1984 watermark in J. Green RWS paper

Earth Birds (1981)

Earth Birds: forty six poems written between May 1964 and June 1972 (1981)
Larry Eigner (poems) and Ron King (plates)
Fifty hard-bound copies, I-L, printed on pure rag-made paper with six plates printed blind intaglio and one hundred and fifty copies, 51-200, printed on Glastonbury Book stock with the same plates printed relief, in one color.

As with George Szirtes, King has collaborated more than once with Larry Eigner. Looks like nothing, the shadow through air (1972) was the earlier joint effort. Compared to Earth Birds, later works like The Burning of the Books (2008) and Anansi Company (1992) with Roy Fisher show King’s development toward more deeply collaborative efforts.

Earth Birds does recall the wide range of similar works by others at Circle Press that King made possible: Hadrian’s Dream (1990) by Asa Benveniste and Ken Campbell and Machines (1986) by Michael Donaghy and Barbara Tetenbaum.

Chaucer’s The Prologue, 2nd Edition (1978)

Chaucer’s The Prologue, 2nd Edition (1978)
Ron King
Casebound sewn, letterpress printed on 190 gsm Queen Anne Antique White. Hand-set in Monotype Plantin series 110. H405 x W281 mm, 72 pages. Edition of twenty separate versions I-XX each of 250 copies, of which this is XI, #131, and includes a folder of Buckler Light Grey Plain with a poem by Roy Fisher and screen-print on 190 gsm Bockingfordby Ron King entitled “Webbe”. Acquired from private seller, 27 February 2021. Photos of work: Books On Books Collection. Displayed with permission of artist.

King originally prepared The Prologue for Editions Electo in 1966, then published a limited edition of 125 copies in 1967 under the Circle Press imprint. In this collection, the work represents King’s straightforward fine press work and a successful livre d’artiste. The screenprints of Chaucer’s characters and Chaucer himself are based on African and Brazilian masks as well as heraldic symbols. King’s inspiration to match these richly colored masks to the personae captures the pageantry and individuals within the social hierarchy of Chaucer’s Canterbury Tales. Opening this oversized fine press edition, turning its stiff, creamy pages with their 18 pt Plantin type and confronting these human-sized masks are reminders of the monumentality that this human-scale work of literature has achieved.

Knight and Squire masks

Nun and Monk masks

Chaucer’s mask and King’s original print “Webbe”

Ephemera

Almost always, small gifts of ephemera arrive with purchases from the Ron King Studio. They illustrate how King marshals his artistry even in marketing his art and that of those he has published.

Hare (single-fold card, H125 x W180 mm), blind-embossed. 2021.

Announcement (single-fold card, H216 x W140 mm) with blind embossed image of a fulmar. Describes artist book Sednar and the Fulmar with Richard Price’s poems. 2017.

Invitations (four-fold pop-up cards) to Pallant House Gallery opening preview. 2005.

Announcement (wax and paper pamphlet, H174 x W134 mm) of Lettre de la Mer Noire/Black Sea Letter by Kenneth White (poem) and Jean-Claude Loubières (images and wax dipping). 1997.

Announcement (card, line block reproduction, H150 x W125 mm) of the 200 portfolios of fifty-one woodcut designs reproduced from the only remaining proofs of Brazilian Miniatures, an unpublished book with a bilingual introduction; printed in two versions. 1973?

“Squire” (single-fold card, H235 x W165 mm) with hand-printed serigraph from Chaucer’s “Prologue” to The Canterbury Tales. 1969?

Further Reading

Abecedaries I (in progress)”, Books On Books Collection, 31 March 2020.

Willow Legge“, Books On Books Collection, 14 February 2021.

Bury, Stephen. “Ron King and the Circle Press.” Print Quarterly 20, no. 4 (2003): 434-37. Accessed February 7, 2021.

Courtney, Cathy. 1999. Speaking of book art: interviews with British and American book artists. Los Altos Hills, Calif: Anderson-Lovelace.

Goldmark Gallery. 2019. Alphabets, Bandits & Collaborations: Ron King Documentary. Uppingham, UK. Video

Hill, Emma. “Artists’ Books and Circle Press”, Pallant House Gallery Magazine, No. 8, June 2006, pp. 66-68. Accessed 22 March 2020.

Lambirth, Andrew. 2019. Ron King : Alphabets, Bandits & Collaborations. Oakham: Goldmark Gallery. Exhibition catalogue.

Books On Books Collection – Nicholas Phillips

Egyptian Hours (1979)

Egyptian Hours (1979)

Nicholas Phillips

Bound in a leather folding case, a set of 7 hand-colored and variously collaged / cut / embossed etchings, plus title page, on Hot Pressed Saunders paper. H160 x W160 x D40 mm. Edition of XXXIX signed copies in existence, of which this is #XXXVII. Acquired from the artist, 6 August 2020. Photos: Books On Books Collection.

   

Egyptian Hours falls somewhere between book and portfolio box. Somewhat like photos and captions in a photobook, text and relief images play off one another, but only somewhat: at a distance the table of contents names and orders the hours; only the Arabic number glyphs from the “table of contents” mediate the named hours. If the table of contents is held apart as in the photos, the distance shortens.

In the western tradition, the named hours suggest the medieval book of hours, another signal that this is more than a portfolio of prints. There is pleasure in trying to remember the name of the hours from their numbers or guessing it from the evocative images — the image of a window lattice through which to watch, an image of a tile fragment — but the name of the fourth implies a mystery narrative at which to guess.

Who is watching from the window? What does the broken pattern of tiles mean to the watcher? Were the numbered shards found beneath the tiles? What clue do the images of papyrus plants give, or the overlying image of a plot of land (?) bringing the plants into green, the diagonal pattern into blue and black, and the sheet of papyrus into burnt umber? Whose seal holds the folded sheet closed? Whose shroud? Whose garland or necklace with its thread weaving in and out of the intaglio?

The watcher could spend hours turning or spreading the panels out and guessing — and just contemplating this artwork as an evocation of ancient time and time passing.

Egyptian Hours — Addenda

This comparative view of the un-colored embossed prints — especially for the “Hour of Watching” and “Hour of Fragments” — enhances an appreciation of Phillips’ artistry.

Set of 7 blind embossed etching prints, plus 1 intaglio title page. Letterpress numerals. Unnumbered copies. 160 x 160 mm each.  Acquired from the artist, 6 August 2020. Photos: top row, Books On Books Collection and, bottom, courtesy of the artist.

Egyptian Cards (1978)

Egyptian Cards (1978)

Nicholas Phillips (with Fiorenza Bassetti)

Pack of magic playing cards. Offset litho, silkscreen, die cut and held in a silkscreened box. H110 x W62.5 x D22.5 mm. Edition of 10, of which this is #2. Acquired from the artist, 6 August 2020. Photos and video: Books On Books Collection.

Egyptian Cards may be the joker in the pack for the Books On Books Collection. A deck of cards? A magic trick? A dos-à-dos flip book? Without doubt, it is another evocation of different frames of time passing. In one time frame, Nefertiti becomes a mummy.

In another time frame, day dawns on the Pyramids.

And in a third and fourth time frame — the time of the artists’ collaboration and that of a magic trick — a joker (a self-portrait of Fiorenza Bassetti) appears.

Phillips, who has turned to watercolors of a photographic intensity yet pastel texture, continues to layer time in ways that lead the viewer as much into meditation as appreciation. Fitting, then, that these two early works strike that lasting chord.

Further Reading

An Online Annotation of “The Book Made Art” (1986)“, Bookmarking Book Art, 8 May 2020.

Henry, David J. Beyond Words: The Art of the Book (Rochester, NY: Memorial Art Gallery of the University of Rochester, 1986). Catalogue for the exhibition held 31 January – 30 March 1986. Catalogue designed by Scott McCarney.

Kahn-Rossi, Manuela. Fiorenza Bassetti (Bellinzona, Switzerland: Salvioni, 2010). In English, 2013.

Phillips, Nicholas, and Salma Nasution Khoo. Best Foreign Language (London: Jonathan Cooper Park Walk Gallery, 2011). Catalogue for exhibition, 17 November – 3 December 2011.

Rolo, Jane, and Jennifer Walwin. Book Works (Bracknell, UK: South Hill Park Arts Centre, 1981). Catalogue for the touring exhibition 28 March 1981 – 4 April 1982. Title page designed by Ron King.

Taylor, Michael. “Books for Whose Sake?”, Crafts, No. 63, July/August 1983, pp. 15-18. Excellent color photo of “Hour of the Clue” in context with works by Roy Fisher, Walter Hamady, Ron King, Katherine Kuehn and Toby Lurie.

Bookmarking Book Art – An Online Annotation of “The Cutting Edge of Reading: Artists’ Books”

Renée Riese Hubert and Judd D. Hubert’s The Cutting Edge of Reading: Artists’ Books (Granary Books, 1999) is a signal work of appreciation and analysis of book art.  Nearly twenty years on, it can be read and appreciated itself more vibrantly with a web browser open alongside it.

To facilitate that for others, here follows a linked version of the bibliography in The Cutting Edge of Reading — a “webliography” Because web links do break, multiple, alternative links per entry and permanent links from libraries, repositories and collections have been used wherever possible. These appear in the captions as well as the text entries. Also included are links to videos relating to the works or the artists. At the end of the webliography, links for finding copies of The Cutting Edge (now out of print) are provided.

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Alechinsky, Pierre; Matta, Sebastian; Mansour, Joyce. Le Grand jamais. Paris: Aimé-Maeght Éditions , 1981. [See also video 1, video 2.]

Arnal, André-Pierre. Conviction du contresens. Paris. Self-published, 1994. [See also video.]

Barrett, Virginia. Sometimes Feeling Like Eve. San Francisco: VB Press, 1992.

Blais, Jean-Charles; Artaud, Antonin. Tuguri. Paris: Ric Gadella, ed.; Frank Bordas, Printer, 1996. [See also video.]

Boltanski, Christian. La Maison manquante. Paris: La Hune, 1990. [See also video.]

Boltanski, Christian. Inventory of Objects Belonging to an Inhabitant of Oxford introduced by a preface and followed by some answers to my proposalWestfalicher Kunstverein, 1973. [The entry here corrects and extends the title given in the book’s entry. The exhibition itself, held in different locations, appeared with a different title and at different dates.]

Boltanski, Christian. Sachlich. Wien/Munchen: Gina Kehayoff Verlag, 1995.

Boni, Paolo; Butor, Michel. La Chronique des asteroïdes. Paris: Jacqueline de Champvalins, 1982.

Paolo Boni and Michel Butor
La Chronique des asteroïdes (1982)

Braunstein, Terry. On Wrinkles. Self-published, 1978.

Broaddus, John Eric. France I. Altered book, n.d. [See also video 1video 2, video 3, video 4.]

Broaddus, John Eric. Satyricon. Altered book, 1973.

Broaddus, John Eric. Space Shot. One-of-a-kind book, n.d. Wellesley College Library, Special Collections.

Broaddus, John Eric. Sphinx and the Bird of Paradise. New York: Kaldewey, n.d. [See also video.]

Broaddus, John Eric. Turkestan Chronicle. One-of-a-kind book, n.d. Private collection.

Broel, Elisabeth. Aus dem Liederbuch des Mirza Schaffy. Unikatbuch no. 2. Altered book of Bodenstedt’s, 1992.

Broodthaers, Marcel. Reading Lorelei. Paris: Yvon Lambert, 1975.

Brunner, Helen. Primer of Ritual Elements (Book 1). Washington, D.C.: Offset Works, The Writing Center, Glen Echo, MD, 1992.

Chen, Julie. Octopus. Berkeley: Flying Fish Press, 1992. [See also video.]

Octopus (1992)
Julie Chen
Poem by Elizabeth McDevitt
Letterpress on paper
13.4 X 10.75 in.

Chopin, Henri. L’Écriture à L’ENDROIT. Limoges: Sixtus Editions, 1993.

Chopin, Henri. Graphèmes en vibrances. Paris: Les Petits Classiques du Grand Pirate, 1990.

Chopin, Henri; Zumthor, Paul. Les Riches heures de l’alphabet. Paris: Les Éditions de la Traversiere, 1995.

Closky, Claude. De A à Z. Paris: n.p., 1991. [Compare with Scott McCarney’s Alphabook 13 (1991).]

Crombie, John; Rimbaud, Arthur. Une illumination. Paris: Kickshaws Press, 1990.

Dautricourt, Joelle. Sentences. Paris: Self-published, 1991.

Delaunay, Sonia; Cendrars, Blaise. La Prose du Transsibérien et de la petite Jehanne de France. Paris: Les Éditions des Hommes Nouveaux, 1913. [Title corrected.]

Dorny, Bertrand; Butor, Michel. Caractères. Paris: Imprimerie Nationale, 1993.

Dorny, Bertrand; Butor, Michel.  Lug à Lucinges. Paris: Self-published, 1993. [Butor added; title corrected.]

Dorny, Bertrand. Supermarché. Paris: Self-published, 1992.  [Butor added.]

Dorny, Bertrand; Deguy, Michel. Composition 7. Paris: Self-published, 1992.

Dorny, Bertrand; Deguy, Michel. Écrire. Self-published, 1992.

Dorny, Bertrand; Deguy, Michel. Éléments pour un Narcisse. Paris: Self-published, 1993.

Dorny, Bertrand; Deguy, Michel. Le Métronome. Paris: Self-published, 1984.

Dorny, Bertrand; Guillevic, Eugène. Si. Nice: Jacques Matarasso, 1986. [First name of Guillevic corrected.]

Dorny, Bertrand; Noel, Bernard. Matière de la nuit. Paris: Self-published, 1990.

Dorny, Bertrand; Smith, William Jay. The Pyramid of the Louvre. Self-published, 1990.

Drucker, Johanna. Narratology. New York: Druckwerk, 1994.

Ely, Timothy; McKenna, Terence. Synesthesia. New York: Granary Books, 1992. [See also video.]

Ely, Timothy. Approach to the Site. New York: Waterstreet Press , 1986. [See also Getty interview; see also video.]

Ely, Timothy. Octagon 3. One-of-a-kind book, 1987. Houghton Library, Harvard University.

Ely, Timothy. Saturnia. One-of-a-kind book, 1995. Private collection.

Ely, Timothy; Kelm, Daniel E. Turning to Face. One-of-a-kind book, 1989. Houghton Library, Harvard University.

Epping, Ed. Abstract Refuse: A Heteronymic Primer. New York: Granary Books, 1995.

Ernst, Max; Eluard, Paul. Les Malheurs des immortels. Paris: Librairie Six, 1922.

Ernst, Max. Une Semaine de bonté. Paris: Pauvert, 1963. [See also video.]

Fahrner, Barbara; Cage, John. Nods. New York: Granary Books, 1991.

Fahrner, Barbara; Schwitters, Kurt. A Flower Like a Raven. Translations by Jerome Rothenberg. New York: Granary Books, 1996.

Finlay, Ian Hamilton. Ocean Stripe Series 3, Wild Hawthorn Press, 1965.

Gerz, Jochen. 2146 Steine: Mahnmal gegen Rassismus. Saarbrucken and Stuttgart: Haje Verlag, 1993. [See also video.]

Gerz, Jochen. Die Beschreibung des Papieres. Darmstadt: Luchterhand, 1973.

Gerz, Jochen. Les Livres de Gandelu.  Liège: Yellow Now, 1976.

Golden, Alisa. They Ran Out. Berkeley: Nevermind the Press, 1991.

Groborne, Robert. Une lecture du Livre des ressemblances [d’] Edmond Jabès. [Xonrupt-Longemer, France]: Æncrages, 1981.

Hamady, Walter. Gabberjab 6. Mount Horeb, WI: The Perishable Press Limited, 1988.

Gabberjab No. 6 (1988)
Walter Hamady

Hamady Walter. Gabberjab 7. Mount Horeb, WI: The Perishable Press Limited, 1997.

King, Ron; Fisher, Roy. Anansi Company. London: Circle Press, 1992. [See also video.]

King, Ron; Fisher, Roy. Bluebeard’s Castle. Guilford, England: Circle Press, 1972. [See also video.]

King, Susan E. Always a Bridesmaid, Never a Bride. Los Angeles: Paradise Press, 1978.

King, Susan E. HomeStead. Los Angeles: The Power of Place, 1990.

King, Susan E. I Spent Summer in Paris. Rochester NY: Paradise Press at Visual Studies Workshop Press, 1984.

King, Susan E.  Salem Witch Trial Memorial. Santa Monica, CA: Paradise Press, 1994.

King, Susan E. Treading the Maze. Rochester, NY: Montage 93: International Festival of the Image, 1993.

King, Susan E. Women and Cars. Rosendale, NY: Paradise Press, 1983. [See also video.]

Koch, Peter; McEvilley, Thomas. Diogenes Defictions. Berkeley: Peter Koch, Printers, 1994.

Kosuth, Joseph. Two Oxford Reading Rooms. London: Book Works, 1994.

Labisse, Félix. Histoire naturelle. Paris: Chavane, 1948.

Histoire naturelle (1948)
Félix Labisse
Histoire naturelle (1948)
Félix Labisse

Lacalmontie, Jean-François. Le Chant de sirènes. Limoges: Sixtus Editions, 1995. [See also video.]

Laxson, Ruth. [H0 + G0]² = It. Atlanta: Nexus Press, 1982. [See also video.]

[H0 + G0]² = It  (1982)
Ruth Laxson

Laxson, Ruth. Measure/Cut/Stitch. Atlanta: Nexus Press, 1987. [See also video.]

Laxson, Ruth. Wheeling. Atlanta: Nexus Press, 1992.

Le Gac, Jean. La Boîte de couleurs. Amiens: Fonds Régional d’Art Contemporain de Picardie, 1995. [See also video at 4’55”.]

Lehrer, Warren; Bernstein, Dennis. French Fries. Rochester/Purchase: Visual Studies Press, 1984.

French Fries (1984)
Warren Lehrer and Dennis Bernstein

Ligorano, Reese. The Corona Palimpsest. New York: Granary Books, 1996.

Lohr, Helmut. Visual Poetry. Berlin: Galerie Horst Dietrich, 1987.

Visual Poetry (1987)
Helmut Lohr

Lovejoy, Margot. The Book of Plagues. Purchase, NY: SUNY Visual Arts Division, 1994.

Lown, Rebecca. Procrustes’ Bed. Purchase, NY: Center for Editions, 1990.

Lyons, Joan. The Gynecologist. Rochester, NY: Visual Studies Workshop Press, 1989.

Malgorn, Jacques; Mabille, Pierre. En N’Ombres. Limoges: Sixtus Editions, 1993.

Mallarmé, Stéphane. Un coup de dés jamais n’abolira le hasardCosmopolis, mai, 417-28, 1897.

Manet, Edouard; Mallarmé, Stéphane. L’Après-midi d’un faune. Paris: Derenne, 1876.

Martinez, Roberto. Moi Aussi j’aurais peur si je recontrais un ange. 1. La Bataille de Midway. Paris: n.p., 1991.

Martinez, Roberto. Moi Aussi j’aurais peur si je recontrais un ange. 2. L’Anatomie d’un ange. Paris: n.p., 1991.

Masson, André; Mallarmé, Stéphane. Un coup de dés jamais n’abolira le hasard. Paris: Amateurs du Livre et de l’Estampe Modernes, 1961.

Un coup de dés jamais n’abolira le hasard (1897; 1961)
Stéphane Mallarmé; André Masson

Masson, André; Rimbaud, Arthur. Une saison en enfer. Paris: Société de femmes bibliophiles Le Cent Une, 1961.

Matta, Sebastian; Jarry, Alfred. Ubu roi. Paris: Atelier Dupont Visat, 1982.

Matta, Sebastian. Garganta-tua. Florence: Edizioni della Bejuga, 1981.

McCarney, Scott. Diderot/Doubleday/Deconstruction. Rochester, NY: Visual Studies Workshop Press, 1994. [See also video.]

McCarney, Scott. Memory Loss. Rochester, NY: Visual Studies Workshop Press, 1988. [See also video.]

Memory Loss (1988)
Scott McCarney
2 1/2 x 22 in., 40 pp.
offset edition of 500

Meador, Clifton. Anecdote of the Jar. Purchase, NY: SUNY Visual Arts Division, 1989. [See also video.]

Meador, Clifton. The Book of Doom. Barrytown, NY: Zimmerman Multiples, 1984. [See also video.]

Messager, Annette. D’Approche. Paris: Jean-Dominique Carré Archives Librairie, 1995. [See also video at 5’56”.]

Messager, Annette. Mes ouvrages. Arles: Actes Sud, 1989.

Nannucci, Maurizio. Art as Social Environment. Amsterdam: Lugo, 1978.

Nannucci, Maurizio. Provisoire et définitif. Écarts, 1975.

Newell, Peter. Slant Book. New York: Harper Bros., 1910.

Osborn, Kevin. Real Lush. Arlington, VA: Bookworks, 1991.

Osborn, Kevin. Tropos. Arlington, VA: Osbornbook, 1988.

Tropos (1988)
Kevin Osborn

Osborn, Kevin. Wide Open. Arlington, VA: Bookworks, 1984.

Penck, A.R. Analysis. Berlin: Edition Klaus Staeck, 1990.

Phillips, Tom. A Humument. London: Thames & Hudson, 1980.

Polkinhorn, Harry. Summary Dissolution. Port Charlotte, FL: Runaway Spoon Press, 1988.

Reese, Harry. Arplines. Isla Vista, CA: Turkey Press, 1988.

Roth, Dieter. Daily Mirror. Köln: Hansörg Mayer, 1961. [See also video.]

Roth, Dieter. Bok 3C. Stuttgart: Hansörg Mayer, n.d. [See also video.]

Rullier, Jean-Jacques. 10 exemples. Limoges: Sixtus Editions, 1994.

Ruscha, Edward. Twentysix Gasoline Stations. Los Angeles: National Excelsior Press, 1963. [Publisher added; see also video.]

Sharoff, Shirley; Lu Xun. La Grande Muraille/The Great Wall. Paris: Self-published, 1991.

La grande muraille/The Great Wall (1991)
Shirley Sharoff
La grande muraille/The Great Wall (1991)
Shirley Sharoff

Sicilia, Jose Maria; Lux, Thomas. You Are Alone. Paris: Michael Woolworth, 1992.

Sligh, Clarissa. Reading Dick and Jane with Me. Rochester, NY: Visual Studies Workshop Press, 1989. [See also video.]

Sligh, Clarissa. What’s Happening with Momma? Rosendale, NY: Women’s Studio Workshop, 1988.

Smith, Keith. Construct. Rochester, NY: Visual Studies Workshop Press, 1985. [See also video.]

Spector, Buzz. Broodthaers. 1988. Altered book. [See also video links embedded in the artist’s name below.]

Spector, Buzz. Kafka. 1988. Altered book.

Spector, Buzz. Malevich. 1988. Altered book.

Spector, Buzz. A Passage. NY: Granary Books, 1994.

Spector, Buzz. The Picture of Dorian Gray. 1987. Altered book.

Spector, Buzz. Silence. 1989. Altered book.

Staritsky, Anna; Albert-Birot, Pierre. La Belle histoire. Veilhes, Tarn: Gaston Puel, 1966.

Staritsky, Anna; Butor, Michel. Allumettes pour un bûcher dans la cour de la vieille Sorbonne. Paris: Self-published, 1975.

Staritsky, Anna; Guillevic, Eugène. De la prairie. Paris: Jean Petithory, 1970.

De la prairie (1970)
Eugene Guillevic (text)
Anna Staritsky (art)

Staritsky, Anna; Iliazd. Un de la brigade. Paris:Atelier Lacourière-Frelaut, 1982. [Publisher identified.]

Staritsky, Anna; Lemaire, Jacques. Le Zotte et la moche. Moulin du Verger de Puymoyen, 1969.

Stokes, Telfer; Douglas, Helen. MIM. Deuchar Mill, Yarrow, Scotland: Weproductions, 1986. [See also video.]

Stokes, Telfer; Douglas, HelenReal Fiction: An Inquiry into the Bookeresque. Rochester, NY: Visual Studies Workshop Press, 1987.

Stokes, Telfer; Douglas, Helen. Spin Off. Deuchar Mill, Yarrow, Scotland: Weproductions, 1985.

Van Horn, Erica. Scraps of an Aborted Collaboration. Docking, Norfolk: Coracle Press, 1994.

Van Horn, Erica. Seven Lady Saintes. New York: Women’s Studio Workshop, 1985. [Publisher identified.]

Van Horn, Erica. Ville aux dames.Vitry-sur-Seine: n.p., 1983. One-of-a-kind. [Title corrected.]

Walker, Anne; Coppel, Georges. Les Formes de l’univers (ou l’univers des formes). Paris: L’Oeil du Griffon, 1995. [Name of publisher corrected.]

Wegewitz, Olaf. Mikrokosmos. Edition Staeck, 1992. [Publisher identified; date reflects publisher’s information; see also video.]

Yvert, Fabienne. Transformation. Marseille: Éditions des Petits Livres. 1995.

Zelevansky, Paul. The Case for the Burial of Ancestors. New York: Zartscarp, Inc. and Visual Studies Workshop Press, 1981.

Zimmermann, Philip. High Tension. Rochester, NY: Visual Studies Workshop Press, 1993. [See also Craft in America video and video of High Tension.]

Zimmermann, Philip. Elektromagnetism. Barrytown, NY: Space Heater Multiples, 1995.

Elektromagnetism (1995)
Philip Zimmerman

Zubeil, Francine. Panique générale. Marseille:  Éditions de l’Observatoire, 1993.

Zweig, Janet. This Book is Extremely Receptive. Cambridge, MA: Pyramid Atlantic, 1989.

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