Books On Books Collection – Martine Rassineux

Ilinx (2010)

Ilinx (2010)
Régine Detambel and Martine Rassineux
Slipcase H322 x W406 x D16 mm, Portfolio cover H280 x W385 x D8 mm, Folio H279 x W380, 6 folios. Slipcase made of wood and celloderm, Portfolio cover made of Japon nacré Torinoko Kozu 180 gsm, Folios made of Lana Velin édition blanc supérieur 180 gsm. Edition of 27, of which this is #18. Acquired from the artists, 21 August 2020. Photos of work: Books On Books Collection. Displayed with permission of the artist.

Emerging from its snugly fitting box constructed by François Da Ros, Régine Detambel’s and Martine Rassineux’s livre d’artiste hints at a debt to the legacy of Iliazd with its pearlescent case over a tapered paper cover for the loose folios, although the case’s fixed spine winks at differentiation. With the curling, diagonal and spiralling letterpress, the hint grows stronger. Yet, there is a roundness — almost softness — in the typographical acrobatics, leading away from the hint at the more linear, angular works of Iliazd. That is the mark of François Da Ros, typographer for Ilinx. Rassineux and Da Ros diverge as much from Iliazd as he diverged from the tradition of Ambroise Vollard, Daniel Kahnweiler and Aimé Maeght.

With folios removed. Note the tapering of the inner folder at both ends.

In its text and etchings, Ilinx also shouts and laughs a kinship with Pieter Breugel the Elder’s Children’s Games (1560). Ilinx does not share any tut-tutting at childish foolishness that may reside in Breugel’s depiction; rather it celebrates a shared exuberance and recognition of significance in child’s play. Where Breugel finds that significance in drawing parallels with adult activities and rituals, Detambel’s text and Rassineux’s etchings find it in sheer phenomenological physicality, which Da Ros’s typography enhances.

Just as Breugel must have observed children closely to show the eighty or so games in his painting, so has Rassineux. Ilinx began in a playground where Rassineux watched over her pupils (600 per week) and noticed one of the African girls, the first in Ilinx, turning her face to the sun and spinning in place. Over time, she noticed others, regardless of origin, doing the same — as if something universal were engraved unconsciously in each child. From this, came the Cours series — washes, charcoal drawings and some 40 engravings on rectangular plates.

Presented with some of these works, Régine Detambel introduced Rassineux to Roger CailloisLes jeux et les homines (1958), in which he outlined four basic categories of play or games:

  • Agon, or competition.
  • Alea, or chance.
  • Mimicry, or mimesis, or role playing.
  • Ilinx (Greek for “whirlpool”), or games inducing vertigo or disorientation.

With this background, Detambel insisted that the title of this livre d’artiste must be Ilinx. With their text and images, Detambel and Rassineux follow the children’s spinning games with a beginning and five “turns”, which appear in twelve pages across three folios. Caillois suggests that the spinning games are grounded in both a natural exuberance and need to escape the “tyranny of perception”. Rassineux’s drawings deliberately vary the perspective from which the children are viewed and encourage the viewer, paradoxically, to perceive that escape from the tyranny of perception. Likewise Detambel’s final verse. Likewise Da Ros’s cutting out the children from the etchings and positioning them in action on the page. And, most of all likewise, Da Ros’s spiral setting of lines, “re-enacting” the artist’s drawings, the poet’s words and the Ilinx (whirlpool).

At the last turn, there is no age. Only life in the blood. Flurrying as if into snow. Blood rose-red, flickering red-rose, clinging to a thread.

Curious about the sixth and blank folio after the colophon folio, I wrote to ask about its purpose. After the opening manipulations — removal of the encased portfolio from its celloderm and wood slipcase and then removal of the portfolio from its cover in Japanese nacré Torinoko Kozu (180 gsm) — there is no further prefacing to the loose folios. There is the title folio, then commencement folio, and the whirling has begun. So that the reader/viewer’s eyes and hands do not leave the book too abruptly, the sixth folio acts as a counterweight, a pause to allow the spinning to stop, a blank on which the pulse behind the eyes can project.

Ilinx – Collection VARIA (2019)

Ilinx – Collection VARIA is a follow-on hardback providing behind-the-scenes insight into the making of Ilinx the portfolio. It shows Rassineux and Da Ros at work in the studio, images of cast and locked type, etching plates juxtaposed with their proofs, paste-up plans. Note how, to have more latitude for the typography and layout, Da Ros cut out the engravings from the plates. The plates have been gilded, which is more elegant than scoring the plates to fix in place the limited edition.

Ilinx – Collection VARIA (2019)
François Da Ros and Martin Rassineux
H278 x W326 x D12 mm, 60 pages. Edition of 50, of which this is #2. Acquired from the artists, 21 August 2020. Photos of pages: Books On Books Collection, displayed with artists’ permission.

Although printed offset rather than letterpress, Ilinx–Collection VARIA demonstrates the same art-making attention to detail shown in Ilinx. Printed with an HP Indigo offset digital press on Mohawk proPhoto beaded paper semi-gloss 190gsm, the full-color images printed do not mask the texture or surface of the paper as sometimes happens with some toner prints. Instead, the ink is absorbed by the paper as happens with traditional offset lithography. As Rassineux further explained in correspondence with Books On Books,

We chose the photos in relation to the round shape that often comes up in the concerns of François who made mechanics for two years to be able to build and troubleshoot his presses and because he always saw in the mechanical movement a relationship with the universal mechanical. The final image is a wind-up spinning toy that belonged to my mother…. All the elements we use come from our daily lives, and from our experiences, that are a whole. (Correspondence, 11 November 2020)

Colophon page. Photo of page: Books On Books Collection, displayed with artists’ permission.

For another example of art driven “from our daily lives”, the reader/viewer can do no better than to visit the Koninklijke Bibliotheek (KB, National Library, The Hague: Koopman Collection) to see the gilded plates mentioned above. They reside in a drawer removed from the Da Ros/Rassineux studio and finished off as a wooden case for the library’s copy of Ilinx.

Photos: Books On Books Collection. Shown with permission of the artists
and the Koninklijke Bibliotheek (KB, National Library, The Hague: Koopman Collection).

Rassineux sends you best wishes on the first year of the third millennium (2001)

This elegant New Year’s greeting came with the Books On Books purchase of Ilinx. A sweet gift of ephemera that freezes a fresh start in place with the artistry of movable type in motion and a print made by gravure au sucre (sugar etching). Rassineux’s explanation:

The basic technique of the sugar engraving is that on a perfectly degreased copper you draw with a solution of sugar and China ink (which is only used to make your drawing very black near your etching) then it is covered with varnish and the sugar mixture will burst the varnish because the sugar dilates and you will find again the design in copper version that you will have to weave by an aquatint. (Correspondence, 11 November 2020)

† Translation: Books On Books. The phrase “Le sang qui tourne jusqu’a monter en neige” turns on a French culinary expression — jusqu’a monter en neige — for whipping egg whites into a meringue. Régine Detambel prefers the less literal translation, which echoes earlier lines and images in the poem.

Further Reading

Caillois, Roger. Man, play and games (Urbana, Ill. : University of Illinois Press, 2001).

Capelleveen, Paul Van. Artist & Others: The Imaginative French book in the 21st century (Nijmegen: Vantilt, 2016), p. 37.

Capelleveen, Paul Van. “The Unlimited Artist’s Book“, TXT: Exploring the Boundaries of the Book (Leiden: Boom Uitgevers, 2014).

Bookmarking Book Art – An Online Annotation of “The Cutting Edge of Reading: Artists’ Books”

Renée Riese Hubert and Judd D. Hubert’s The Cutting Edge of Reading: Artists’ Books (Granary Books, 1999) is a signal work of appreciation and analysis of book art.  Nearly twenty years on, it can be read and appreciated itself more vibrantly with a web browser open alongside it.

To facilitate that for others, here follows a linked version of the bibliography in The Cutting Edge of Reading — a “webliography” Because web links do break, multiple, alternative links per entry and permanent links from libraries, repositories and collections have been used wherever possible. These appear in the captions as well as the text entries. Also included are links to videos relating to the works or the artists. At the end of the webliography, links for finding copies of The Cutting Edge (now out of print) are provided.


Alechinsky, Pierre; Matta, Sebastian; Mansour, Joyce. Le Grand jamais. Paris: Aimé-Maeght Éditions , 1981. [See also video 1, video 2.]

Arnal, André-Pierre. Conviction du contresens. Paris. Self-published, 1994. [See also video.]

Barrett, Virginia. Sometimes Feeling Like Eve. San Francisco: VB Press, 1992.

Blais, Jean-Charles; Artaud, Antonin. Tuguri. Paris: Ric Gadella, ed.; Frank Bordas, Printer, 1996. [See also video.]

Boltanski, Christian. La Maison manquante. Paris: La Hune, 1990. [See also video.]

Boltanski, Christian. Inventory of Objects Belonging to an Inhabitant of Oxford introduced by a preface and followed by some answers to my proposalWestfalicher Kunstverein, 1973. [The entry here corrects and extends the title given in the book’s entry. The exhibition itself, held in different locations, appeared with a different title and at different dates.]

Boltanski, Christian. Sachlich. Wien/Munchen: Gina Kehayoff Verlag, 1995.

Boni, Paolo; Butor, Michel. La Chronique des asteroïdes. Paris: Jacqueline de Champvalins, 1982.

Paolo Boni and Michel Butor
La Chronique des asteroïdes (1982)

Braunstein, Terry. On Wrinkles. Self-published, 1978.

Broaddus, John Eric. France I. Altered book, n.d. [See also video 1video 2, video 3, video 4.]

Broaddus, John Eric. Satyricon. Altered book, 1973.

Broaddus, John Eric. Space Shot. One-of-a-kind book, n.d. Wellesley College Library, Special Collections.

Broaddus, John Eric. Sphinx and the Bird of Paradise. New York: Kaldewey, n.d. [See also video.]

Broaddus, John Eric. Turkestan Chronicle. One-of-a-kind book, n.d. Private collection.

Broel, Elisabeth. Aus dem Liederbuch des Mirza Schaffy. Unikatbuch no. 2. Altered book of Bodenstedt’s, 1992.

Broodthaers, Marcel. Reading Lorelei. Paris: Yvon Lambert, 1975.

Brunner, Helen. Primer of Ritual Elements (Book 1). Washington, D.C.: Offset Works, The Writing Center, Glen Echo, MD, 1992.

Chen, Julie. Octopus. Berkeley: Flying Fish Press, 1992. [See also video.]

Octopus (1992)
Julie Chen
Poem by Elizabeth McDevitt
Letterpress on paper
13.4 X 10.75 in.

Chopin, Henri. L’Écriture à L’ENDROIT. Limoges: Sixtus Editions, 1993.

Chopin, Henri. Graphèmes en vibrances. Paris: Les Petits Classiques du Grand Pirate, 1990.

Chopin, Henri; Zumthor, Paul. Les Riches heures de l’alphabet. Paris: Les Éditions de la Traversiere, 1995.

Closky, Claude. De A à Z. Paris: n.p., 1991. [Compare with Scott McCarney’s Alphabook 13 (1991).]

Crombie, John; Rimbaud, Arthur. Une illumination. Paris: Kickshaws Press, 1990.

Dautricourt, Joelle. Sentences. Paris: Self-published, 1991.

Delaunay, Sonia; Cendrars, Blaise. La Prose du Transsibérien et de la petite Jehanne de France. Paris: Les Éditions des Hommes Nouveaux, 1913. [Title corrected.]

Dorny, Bertrand; Butor, Michel. Caractères. Paris: Imprimerie Nationale, 1993.

Dorny, Bertrand; Butor, Michel.  Lug à Lucinges. Paris: Self-published, 1993. [Butor added; title corrected.]

Dorny, Bertrand. Supermarché. Paris: Self-published, 1992.  [Butor added.]

Dorny, Bertrand; Deguy, Michel. Composition 7. Paris: Self-published, 1992.

Dorny, Bertrand; Deguy, Michel. Écrire. Self-published, 1992.

Dorny, Bertrand; Deguy, Michel. Éléments pour un Narcisse. Paris: Self-published, 1993.

Dorny, Bertrand; Deguy, Michel. Le Métronome. Paris: Self-published, 1984.

Dorny, Bertrand; Guillevic, Eugène. Si. Nice: Jacques Matarasso, 1986. [First name of Guillevic corrected.]

Dorny, Bertrand; Noel, Bernard. Matière de la nuit. Paris: Self-published, 1990.

Dorny, Bertrand; Smith, William Jay. The Pyramid of the Louvre. Self-published, 1990.

Drucker, Johanna. Narratology. New York: Druckwerk, 1994.

Ely, Timothy; McKenna, Terence. Synesthesia. New York: Granary Books, 1992. [See also video.]

Ely, Timothy. Approach to the Site. New York: Waterstreet Press , 1986. [See also Getty interview; see also video.]

Ely, Timothy. Octagon 3. One-of-a-kind book, 1987. Houghton Library, Harvard University.

Ely, Timothy. Saturnia. One-of-a-kind book, 1995. Private collection.

Ely, Timothy; Kelm, Daniel E. Turning to Face. One-of-a-kind book, 1989. Houghton Library, Harvard University.

Epping, Ed. Abstract Refuse: A Heteronymic Primer. New York: Granary Books, 1995.

Ernst, Max; Eluard, Paul. Les Malheurs des immortels. Paris: Librairie Six, 1922.

Ernst, Max. Une Semaine de bonté. Paris: Pauvert, 1963. [See also video.]

Fahrner, Barbara; Cage, John. Nods. New York: Granary Books, 1991.

Fahrner, Barbara; Schwitters, Kurt. A Flower Like a Raven. Translations by Jerome Rothenberg. New York: Granary Books, 1996.

Finlay, Ian Hamilton. Ocean Stripe Series 3, Wild Hawthorn Press, 1965.

Gerz, Jochen. 2146 Steine: Mahnmal gegen Rassismus. Saarbrucken and Stuttgart: Haje Verlag, 1993. [See also video.]

Gerz, Jochen. Die Beschreibung des Papieres. Darmstadt: Luchterhand, 1973.

Gerz, Jochen. Les Livres de Gandelu.  Liège: Yellow Now, 1976.

Golden, Alisa. They Ran Out. Berkeley: Nevermind the Press, 1991.

Groborne, Robert. Une lecture du Livre des ressemblances [d’] Edmond Jabès. [Xonrupt-Longemer, France]: Æncrages, 1981.

Hamady, Walter. Gabberjab 6. Mount Horeb, WI: The Perishable Press Limited, 1988.

Gabberjab No. 6 (1988)
Walter Hamady

Hamady Walter. Gabberjab 7. Mount Horeb, WI: The Perishable Press Limited, 1997.

King, Ron; Fisher, Roy. Anansi Company. London: Circle Press, 1992. [See also video.]

King, Ron; Fisher, Roy. Bluebeard’s Castle. Guilford, England: Circle Press, 1972. [See also video.]

King, Susan E. Always a Bridesmaid, Never a Bride. Los Angeles: Paradise Press, 1978.

King, Susan E. HomeStead. Los Angeles: The Power of Place, 1990.

King, Susan E. I Spent Summer in Paris. Rochester NY: Paradise Press at Visual Studies Workshop Press, 1984.

King, Susan E.  Salem Witch Trial Memorial. Santa Monica, CA: Paradise Press, 1994.

King, Susan E. Treading the Maze. Rochester, NY: Montage 93: International Festival of the Image, 1993.

King, Susan E. Women and Cars. Rosendale, NY: Paradise Press, 1983. [See also video.]

Koch, Peter; McEvilley, Thomas. Diogenes Defictions. Berkeley: Peter Koch, Printers, 1994.

Kosuth, Joseph. Two Oxford Reading Rooms. London: Book Works, 1994.

Labisse, Félix. Histoire naturelle. Paris: Chavane, 1948.

Histoire naturelle (1948)
Félix Labisse
Histoire naturelle (1948)
Félix Labisse

Lacalmontie, Jean-François. Le Chant de sirènes. Limoges: Sixtus Editions, 1995. [See also video.]

Laxson, Ruth. [H0 + G0]² = It. Atlanta: Nexus Press, 1982. [See also video.]

[H0 + G0]² = It  (1982)
Ruth Laxson

Laxson, Ruth. Measure/Cut/Stitch. Atlanta: Nexus Press, 1987. [See also video.]

Laxson, Ruth. Wheeling. Atlanta: Nexus Press, 1992.

Le Gac, Jean. La Boîte de couleurs. Amiens: Fonds Régional d’Art Contemporain de Picardie, 1995. [See also video at 4’55”.]

Lehrer, Warren; Bernstein, Dennis. French Fries. Rochester/Purchase: Visual Studies Press, 1984.

French Fries (1984)
Warren Lehrer and Dennis Bernstein

Ligorano, Reese. The Corona Palimpsest. New York: Granary Books, 1996.

Lohr, Helmut. Visual Poetry. Berlin: Galerie Horst Dietrich, 1987.

Visual Poetry (1987)
Helmut Lohr

Lovejoy, Margot. The Book of Plagues. Purchase, NY: SUNY Visual Arts Division, 1994.

Lown, Rebecca. Procrustes’ Bed. Purchase, NY: Center for Editions, 1990.

Lyons, Joan. The Gynecologist. Rochester, NY: Visual Studies Workshop Press, 1989.

Malgorn, Jacques; Mabille, Pierre. En N’Ombres. Limoges: Sixtus Editions, 1993.

Mallarmé, Stéphane. Un coup de dés jamais n’abolira le hasardCosmopolis, mai, 417-28, 1897.

Manet, Edouard; Mallarmé, Stéphane. L’Après-midi d’un faune. Paris: Derenne, 1876.

Martinez, Roberto. Moi Aussi j’aurais peur si je recontrais un ange. 1. La Bataille de Midway. Paris: n.p., 1991.

Martinez, Roberto. Moi Aussi j’aurais peur si je recontrais un ange. 2. L’Anatomie d’un ange. Paris: n.p., 1991.

Masson, André; Mallarmé, Stéphane. Un coup de dés jamais n’abolira le hasard. Paris: Amateurs du Livre et de l’Estampe Modernes, 1961.

Un coup de dés jamais n’abolira le hasard (1897; 1961)
Stéphane Mallarmé; André Masson

Masson, André; Rimbaud, Arthur. Une saison en enfer. Paris: Société de femmes bibliophiles Le Cent Une, 1961.

Matta, Sebastian; Jarry, Alfred. Ubu roi. Paris: Atelier Dupont Visat, 1982.

Matta, Sebastian. Garganta-tua. Florence: Edizioni della Bejuga, 1981.

McCarney, Scott. Diderot/Doubleday/Deconstruction. Rochester, NY: Visual Studies Workshop Press, 1994. [See also video.]

McCarney, Scott. Memory Loss. Rochester, NY: Visual Studies Workshop Press, 1988. [See also video.]

Memory Loss (1988)
Scott McCarney
2 1/2 x 22 in., 40 pp.
offset edition of 500

Meador, Clifton. Anecdote of the Jar. Purchase, NY: SUNY Visual Arts Division, 1989. [See also video.]

Meador, Clifton. The Book of Doom. Barrytown, NY: Zimmerman Multiples, 1984. [See also video.]

Messager, Annette. D’Approche. Paris: Jean-Dominique Carré Archives Librairie, 1995. [See also video at 5’56”.]

Messager, Annette. Mes ouvrages. Arles: Actes Sud, 1989.

Nannucci, Maurizio. Art as Social Environment. Amsterdam: Lugo, 1978.

Nannucci, Maurizio. Provisoire et définitif. Écarts, 1975.

Newell, Peter. Slant Book. New York: Harper Bros., 1910.

Osborn, Kevin. Real Lush. Arlington, VA: Bookworks, 1991.

Osborn, Kevin. Tropos. Arlington, VA: Osbornbook, 1988.

Tropos (1988)
Kevin Osborn

Osborn, Kevin. Wide Open. Arlington, VA: Bookworks, 1984.

Penck, A.R. Analysis. Berlin: Edition Klaus Staeck, 1990.

Phillips, Tom. A Humument. London: Thames & Hudson, 1980.

Polkinhorn, Harry. Summary Dissolution. Port Charlotte, FL: Runaway Spoon Press, 1988.

Reese, Harry. Arplines. Isla Vista, CA: Turkey Press, 1988.

Roth, Dieter. Daily Mirror. Köln: Hansörg Mayer, 1961. [See also video.]

Roth, Dieter. Bok 3C. Stuttgart: Hansörg Mayer, n.d. [See also video.]

Rullier, Jean-Jacques. 10 exemples. Limoges: Sixtus Editions, 1994.

Ruscha, Edward. Twentysix Gasoline Stations. Los Angeles: National Excelsior Press, 1963. [Publisher added; see also video.]

Sharoff, Shirley; Lu Xun. La Grande Muraille/The Great Wall. Paris: Self-published, 1991.

La grande muraille/The Great Wall (1991)
Shirley Sharoff
La grande muraille/The Great Wall (1991)
Shirley Sharoff

Sicilia, Jose Maria; Lux, Thomas. You Are Alone. Paris: Michael Woolworth, 1992.

Sligh, Clarissa. Reading Dick and Jane with Me. Rochester, NY: Visual Studies Workshop Press, 1989. [See also video.]

Sligh, Clarissa. What’s Happening with Momma? Rosendale, NY: Women’s Studio Workshop, 1988.

Smith, Keith. Construct. Rochester, NY: Visual Studies Workshop Press, 1985. [See also video.]

Spector, Buzz. Broodthaers. 1988. Altered book. [See also video links embedded in the artist’s name below.]

Spector, Buzz. Kafka. 1988. Altered book.

Spector, Buzz. Malevich. 1988. Altered book.

Spector, Buzz. A Passage. NY: Granary Books, 1994.

Spector, Buzz. The Picture of Dorian Gray. 1987. Altered book.

Spector, Buzz. Silence. 1989. Altered book.

Staritsky, Anna; Albert-Birot, Pierre. La Belle histoire. Veilhes, Tarn: Gaston Puel, 1966.

Staritsky, Anna; Butor, Michel. Allumettes pour un bûcher dans la cour de la vieille Sorbonne. Paris: Self-published, 1975.

Staritsky, Anna; Guillevic, Eugène. De la prairie. Paris: Jean Petithory, 1970.

De la prairie (1970)
Eugene Guillevic (text)
Anna Staritsky (art)

Staritsky, Anna; Iliazd. Un de la brigade. Paris:Atelier Lacourière-Frelaut, 1982. [Publisher identified.]

Staritsky, Anna; Lemaire, Jacques. Le Zotte et la moche. Moulin du Verger de Puymoyen, 1969.

Stokes, Telfer; Douglas, Helen. MIM. Deuchar Mill, Yarrow, Scotland: Weproductions, 1986. [See also video.]

Stokes, Telfer; Douglas, HelenReal Fiction: An Inquiry into the Bookeresque. Rochester, NY: Visual Studies Workshop Press, 1987.

Stokes, Telfer; Douglas, Helen. Spin Off. Deuchar Mill, Yarrow, Scotland: Weproductions, 1985.

Van Horn, Erica. Scraps of an Aborted Collaboration. Docking, Norfolk: Coracle Press, 1994.

Van Horn, Erica. Seven Lady Saintes. New York: Women’s Studio Workshop, 1985. [Publisher identified.]

Van Horn, Erica. Ville aux dames.Vitry-sur-Seine: n.p., 1983. One-of-a-kind. [Title corrected.]

Walker, Anne; Coppel, Georges. Les Formes de l’univers (ou l’univers des formes). Paris: L’Oeil du Griffon, 1995. [Name of publisher corrected.]

Wegewitz, Olaf. Mikrokosmos. Edition Staeck, 1992. [Publisher identified; date reflects publisher’s information; see also video.]

Yvert, Fabienne. Transformation. Marseille: Éditions des Petits Livres. 1995.

Zelevansky, Paul. The Case for the Burial of Ancestors. New York: Zartscarp, Inc. and Visual Studies Workshop Press, 1981.

Zimmermann, Philip. High Tension. Rochester, NY: Visual Studies Workshop Press, 1993. [See also Craft in America video and video of High Tension.]

Zimmermann, Philip. Elektromagnetism. Barrytown, NY: Space Heater Multiples, 1995.

Elektromagnetism (1995)
Philip Zimmerman

Zubeil, Francine. Panique générale. Marseille:  Éditions de l’Observatoire, 1993.

Zweig, Janet. This Book is Extremely Receptive. Cambridge, MA: Pyramid Atlantic, 1989.


The Cutting Edge of Reading: Artists’ Books by Renée Riese Hubert and Judd D. Hubert available:



OCLC WorldCat