Breaking Waves (2023)
Emmy van Eijk
Sculptural book. 140 x 140 x 40 mm (closed). Unique work. Acquired from Papertrail Handmade Books, 22 January 2024.
Photos: Books On Books Collection.
Breaking Waves spills over at least three categories of bookmaking: the bound blank book, designer bookbinding and sculpture. It would take a bold owner, however, to use the work in its first category. Fortunately that invitation quickly yields to another.
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Ambulo Ergo Sum: Nature As Experience in Artists’ Books (2015)
Anne Moeglin-Delcroix and Richard Sadleir, trans.
Case bound, printed paper over board, with green endbands and matching doublures. H225 x W155 mm. 96 pages. Acquired from Book Depository, 21 August 2019.
Photo: Books On Books Collection.
Lettered Typefaces and Alphabets by Clotilde Olyff (2000)
Jan Middendorp and Clotilde Olyff
Spiral-bound softcover of 78 pages and measuring H235 x W215 mm with a 28-page booklet measuring H165 x W115 mm bound in. Acquired from Klondyke Books, Almere, NL, 28 November 2023.
Photos: Books On Books Collection
This is the rare first edition as published by the late Jan Middendorp through his Druk Editions. It bears all the hallmarks of his eye for design — the black coated wired binding, the heavy embossed card cover, the use of color to underscore the text’s theme, the embedded booklet — all nevertheless centering and providing a platform for the art and design of Clotilde Olyff.
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Dero Abecedarius! (2001)
Klaus Peter Dencker
Loose folios in heavy card box, title on card pasted on front box cover. H298 x W210 mm. 34 folios. Inkjet on BFK Rives 210 gram. Edition of 50, of which this is #30. Acquired from Red Fox Press, 3 January 2023.
Photos: Books On Books Collection.
Visual poems in an ABC sequence and inspired by the Statue of Liberty. Klaus Peter Dencker belongs in the vast company of notable visual poets and “alphabet-etishists”, too many to list here, but within the Books On Books Collection, there are Jim Avignon & Anja Lutz, Jim Clinefelter, Martín Gubbins, Bernard Heidsieck, Karl Kempton and Sam Winston, all of whom offer fruitful comparisons.
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Handscapes (2016)
Margaret (Molly) Coy & Claire Bolton
Casebound, hand sewn and bound with doublures and two ribbon bookmarks. H260 x W310 x D30. 80 folios. Edition of 12, of which this is #9. Acquired from the artists, 19 October 2023.
Photos: Books On Books Collection. Displayed with artists’ permission.
Co-founder of The Alembic Press with David Bolton, Claire Bolton is an independent historian of printing and type as well as an aficionado of handmade paper. She recently donated works in shifu (a spun and woven paper textile) to the Bodleian. Although she disclaims classification as a book artist, her works in the Books On Books Collection — especially her collaboration with Molly Coy called Handscapes (2016) — argue with her persuasively.
A Little Black Book (1995)
Claire Bolton
Miniature, exposed-spine, stab-bound with red cotton thread to hard boards. H73 x W60 mm. 64 pages. Edition of 100, of which this is #4. Acquired from Oak Knoll Books, 11 October 2023.
Photos: Books On Books Collection. Displayed with artist’s permission.
I think that the root of the wind is water (2016)
Susan Lowdermilk
Hardback with open spine, Asahi cloth over board, debossed front cover with fitted, pastedown artwork, around folded structure with cut-outs, pop-ups and pastedowns. H236 x W182 x D20 mm. 14 pages. Edition of 30, of which this is #24. Acquired from the Abecedarian Gallery, 5 October 2023.
Photos: Books On Books Collection. Displayed with the artist’s permission.
Some book art illustrates a poem. Some converses with it. And some, like this one by Susan Lowdermilk, enact the poem.
Continue readingRichard J. Hoffman (1912-1989) was a fine press printer and taught print and design at California State University, Los Angeles. His interests in typography, miniature books and the alphabet are represented by two works in the Books On Books Collection: “Don’t Nobody Care about Zeds” (1987) and Otto Ege’s The Story of the Alphabet (1988).
Both books scratch the collection’s “alphabet itch”. The first provides the added satisfaction of complementing the children’s books that champion the alphabet’s last letter: Jon Agee’s Z Goes Home (2006), Alethea Kontis & Bob Kolar’s AlphaOops: The Day Z Went First (2012), Sean Lamb & Mike Perry’s Z Goes First (2018) and Lou Kuenzler & Julia Woolf’s Not Yet Zebra! . The second adds an alphabet history to the miniature abecedaries as well as a more than usually intricate design.
“Don’t Nobody Care about Zeds”
A Modest Book About an Oft-overlooked Character of the Alphabet Prepared for the Pleasure of Zamoranans* (1987)
Richard J. Hoffman
Hardcover, casebound. Cloth and paper cover with colored endbands and printed doublures. H160 x W120 mm. 176 pages. Edition of 200. Acquired from Scott Emerson Books, 5 September 2023.
Photos: Books On Books Collection.
The Phoenician Alphabet (2022)
Nayla Romanos Iliya (art), Rose Issa, Susan Babaie and Peter Murray (text)
Casebound laminated cover. H205 x W185 mm. 108 pages. Acquired from Les presses du réel, 2 February 2023.
Photos: Books On Books Collection.
Lessons from the South (1986)
Susan E. King
Modified flag book. Closed: H270 x W172 mm; Open: W670 mm. 20 pages. Acquired from Rickaro Books BA PBFA, 22 September 2023.
Photos: Books On Books Collection.
Lessons from the South presents a masterful weaving together of material, structure, technique and image with Susan King’s reminiscences and social observations of her birth state Kentucky. For King, growing up white and female in the South in the second half of the 20th century engendered a sense of otherness and rebellion. As with some white southerners, it led to mild acts of rebellion — sitting too far back in the bus, sitting next to black students in typing class, or finally leaving for other regions of the US. With the 21st century’s rise of the “Karen”, repression of voting rights and reproductive rights, and resurgence of white supremacy, can we afford to dismiss the expression of conscience as “mild”? Any expression of conscience is something. Lessons from the South is an artful expression of fondness, humor, closeness and distance — a sense of being ill at ease with a Southern heritage we all seem unable to escape — that should be revisited not only for the sake of its art but as encouragement to conscience.
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