The Fall (1976)
Michelle Stuart
Saddlestitched with staples in landscape format, glossy paper. H x W mm. 28 pages. Acquired from Specific Object, 15 March 2024.
Photos of the work: Books On Books Collection.
The Fall is one of the earliest publications of Printed Matter, founded in 1976 by a group of individuals working in the arts (among them artist Sol LeWitt and critic Lucy Lippard).
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Why should an obscure poem like Stéphane Mallarmé’s groundbreaking Un Coup de Dés Jamais N’Abolira le Hasard: Poème (1897) have become the cornerstone of an art-industrial complex of literary, critical and artistic responses ranging from essays, books, edited collections, countless editions, and appropriations in the form of fine press livres d’artiste, book art and sculptures, films and theater, ballets and fado, musical compositions, digital programs and installations, and even pavement art?
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ABCing: Seeing the Alphabet Differently
Colleen (Ellis) Comerford (2010)
Board book, illustrated paper-on-board cover. H160 x W160 mm. 66 pages. Acquired from Powell’s Bookstore, 29 June 2023.
Photos: Books On Books Collection. Displayed with artist’s permission.
A is for Axolotl: An Unusual Animal ABC (2022)
Catherine Macorol
Casebound laminated cover with dustjacket. H230 x W290 mm. 32 pages. Acquired from Saint Bookstore, 28 May 2023.
Photos: Books On Books Collection.
Unfortunately climate change makes possible a sub-collection of abecedaries on the subject of endangered animals. Since Dick King-Smith and Quentin Blake’s Alphabeasts in 1990, there have been more than a dozen. Catherine Macorol’s is the most recent within the Books On Books Collection.
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Inscription: The Journal of Material Text, Issue 4 on Touch
Simon Morris, Gill Partington and Adam Smyth (eds.)
Cased perfect bound paperback, printed paper cover. 313 x 313 mm. 120 pages. ISSN: 2634-7210. Acquired from Information as Material, 29 November 2023.
Photos: Books On Books Collection.
Different readers will come to different conclusions on whether Inscription #4 dedicated to the subject of touch evokes the level of tactility in Melville’s famous Chapter 94 “A Squeeze of the Hand”. But all can agree that they share a certain seminality. Like Herman Melville with his preliminaries to Moby Dick, the editors of Inscription lead their fourth issue with definitions and choice quotations on the subject of “touch”, as much a Leviathan subject as that of Melville’s novel. Where Melville merged scholarly apparatus with narrative fiction to create a novel literary work, Simon Morris, Gill Partington and Adam Smyth have merged photography, poetry, augmented reality and audio with academic and critical essays to create a novel form of scholarship.
Continue readingNow here’s a rare thing — a journal issue that requires a video to show the reader h0w to open it.
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Craft and Conceptual Art: Reshaping the Legacy of Artists’ Books (2023)
Megan N. Liberty, ed.
Perfect bound, embossed and ink printed cover. H302 x W229 mm. 118 pages. Acquired from San Francisco Center for the Book (CODEX), 5 February 2024.
Photos: Books On Books Collection.
Megan Liberty’s traveling exhibition and catalogue serve two related purposes.
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Breaking Waves (2023)
Emmy van Eijk
Sculptural book. 140 x 140 x 40 mm (closed). Unique work. Acquired from Papertrail Handmade Books, 22 January 2024.
Photos: Books On Books Collection.
Breaking Waves spills over at least three categories of bookmaking: the bound blank book, designer bookbinding and sculpture. It would take a bold owner, however, to use the work in its first category. Fortunately that invitation quickly yields to another.
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Water, Calling (2021)
Camden Richards & Deborah Sibony
Felt-covered, modified dragon-scale bound artists’ book, accompanied by audio equipment in custom box. Box: 262 x 262 x D170 mm. Book: H155 x W775 mm (closed). 110 pages. Edition of 15, of which this is #1. Acquired from the artists, 5 October 2022. Photos: Books On Books Collection. Displayed with artists’ permission.
Colophon
“Water, Calling is a collaborative artist book which explores the cyclical and omnipresent relationship of water and the self, inviting the reader to reflect upon water as more than a commodity, but rather as life giving: spirit, flesh and soul. Because water is evidence of all who came before us, it is a foretelling of all who will be; through it we are in conversation with our ancestors, our descendants, and with earth herself. Water, Calling traces these existential threads through waterscapes of text, image and sound, extending an invitation to enter more fully into a dialogue composed of acts requiring active listening, contemplative reading and deep seeing with the hope of inspiring sacred reciprocity.”
Ambulo Ergo Sum: Nature As Experience in Artists’ Books (2015)
Anne Moeglin-Delcroix and Richard Sadleir, trans.
Case bound, printed paper over board, with green endbands and matching doublures. H225 x W155 mm. 96 pages. Acquired from Book Depository, 21 August 2019.
Photo: Books On Books Collection.
Books On Books 